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Georgia O'Keeffe

Georgia O'Keeffe by Alfred Stieglitz

Medium

palladium print

Dimensions

image: 23.6 x 18.7 cm (9 5/16 x 7 3/8 in.) sheet: 25.4 x 20.4 cm (10 x 8 1/16 in.)

Classification

Photograph

Department

CPH

Museum

National Gallery of Art, Washington, D.C.

Credit

Alfred Stieglitz Collection

Accession Number

1980.70.84

Rights

Public Domain

Art Historical Context

In 1918, pioneering photographer Alfred Stiegl captured this intimate palladium print portrait of Georgia O'Keeffe his soon-to-be wife and a rising star in American modernism. Measuring about 9½ by 7⅜ inches, the image exemplifies Stieglitz's of soft-focus pictorialism, a style he championed to elevate photography to fine art. The palladium process, akin to platinum printing, yields warm, rich tones and exceptional archival stability, making it ideal for his deeply personal studies of form and light. This photograph marks the beginning of Stieglitz's renowned series of over 300 portraits of O'Keeffe, taken between 1917 and 1934, which blurred the lines between portraiture, abstraction, and eroticism. As owner of Gallery 291 in New York, Stieglitz used these works to introduce O'Keeffe's paintings to the public, intertwining their personal and professional lives. Displayed in major exhibitions, they symbolized the modernist shift toward subjective expression. Housed in the National Gallery of Art's Alfred Stieglitz Collection, this piece highlights his influence on 20th-century photography and the cultural dialogue between artist and muse, inviting viewers to ponder the gaze behind the lens.

About the Artist

Alfred Stieglitz · 1864–1946

Alfred Stieglitz (1864-1946) was a pioneering American photographer, art dealer, publisher, and advocate for the Modernist movement who was instrumental over his 50-year career in making photography an accepted art form. Born in Hoboken, New Jersey, to German Jewish immigrant parents, Stieglitz spent his formative years studying mechanical engineering in Berlin, where he discovered photography in ...

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