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Georgiana Duchess of Devonshire, Portrait as Cynthia from Spenser's 'The Faerie Queen'

Valentine Green

Jan. 1, 1783

Georgiana Duchess of Devonshire, Portrait as Cynthia from Spenser's 'The Faerie Queen' by Valentine Green

Medium

Mezzotint in black on cream laid paper

Dimensions

Plate: 63.2 × 38.5 cm (24 15/16 × 15 3/16 in.); Sheet: 68.2 × 43.5 cm (26 7/8 × 17 3/16 in.)

Classification

prints and drawing

Department

Prints and Drawings

Museum

Art Institute of Chicago

Accession Number

265180

Rights

Public Domain

Art Historical Context

This striking mezzotint by Valentine Green captures Georgiana, Duchess of Devonshire, as the moon goddess Cynthia from Edmund Sp’s epic poem *The Faerie Queene*. Created in 1783, the print reflects the late eighteenth-century fascination with literary allegory and classical mythology among Britain’s aristocracy. Georgiana, one of the most celebrated figures of her day, was known for her beauty, political influence, and patronage of the arts; portraying her as a celestial huntress elevated her public image while connecting contemporary society to Renaissance ideals of virtue and grace. Green’s choice of mezzotint was particularly suited to this subject. The technique, which creates rich, velvety blacks and subtle tonal gradations by roughening the plate’s surface, allowed him to reproduce the luminous quality of painted portraits with remarkable depth and softness. Printed in black ink on cream laid paper, the large scale—over two feet in height—gives the work a commanding presence, transforming a reproductive print into a work of art in its own right. As a product of Georgian England’s thriving print culture, this image helped disseminate Georgiana’s iconic status far beyond aristocratic circles. Today it offers viewers a window into how art, literature, and celebrity intersected in the eighteenth century, preserving both a personal likeness and a cultural ideal.

About the Artist

Valentine Green · 1739–1813

**Valentine Green (1739–1813)** was a leading British mezzotint engraver and print publisher whose work helped elevate the medium’s status in 18th-century Britain. Born on 3 October 1739 in Salford Priors near Evesham, Warwickshire, he initially trained for the law but abandoned it after two years in a solicitor’s office. He then studied line engraving under Robert Hancock in Worcester before movi...

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