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Gerda Grönberg II

Gerda Grönberg II by Anders Zorn

Medium

Etching on ivory laid paper

Dimensions

Image: 19 × 13.4 cm (7 1/2 × 5 5/16 in.); Plate: 19.7 × 13.9 cm (7 13/16 × 5 1/2 in.); Sheet: 43.5 × 32.2 cm (17 3/16 × 12 11/16 in.)

Classification

etching

Department

Prints and Drawings

Museum

Art Institute of Chicago

Accession Number

41627

Rights

Public Domain

Art Historical Context

Anders Zorn's *Gerda Grönberg* (1892) is a masterful etching that captures the Swedish artist's extraordinary skill in printmaking. Created on luxurious ivory laid paper, this portrait measures just 19 × 13.4 cm for the image, inviting viewers into a close encounter with its subject. Zorn, a leading figure in late 19th-century Realism Impressionist influences, was renowned for his ability to render flesh tones, light, and texture with breathtaking precision—qualities that shine through even in monochrome etching. Etching allowed Zorn to translate his painterly prowess to prints, using acid to incise fine lines into a copper plate for multiple impressions. The "II" denotes a second state, likely refined for greater depth and nuance, showcasing his meticulous revisions. Produced during Zorn's international peak, when he dazzled audiences in Paris and beyond, this work exemplifies his fascination with everyday subjects, blending technical virtuosity with emotional warmth. Housed in the Art Institute of Chicago's Prints and Drawings Department, *Gerda Grönberg II* highlights Zorn's enduring legacy as a bridge between painting and printmaking. Its subtle tonalities and lifelike gaze make it a gem for collectors and visitors alike, revealing how a simple portrait can evoke profound humanity.

About the Artist

Anders Zorn · 1860–1920

Anders Zorn (1860–1920), one of Sweden's most celebrated artists, was born on February 18 in Utmeland near Mora in Dalarna, and raised on his maternal grandparents' farm in the nearby hamlet of Yvraden. Displaying prodigious talent from a young age, he attended school in Mora Strand until age twelve, followed by secondary grammar school in Enköping, where he excelled in drawing people and horses. ...

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