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Gobelins Quarter (Le quartier des Gobelins)

Gobelins Quarter (Le quartier des Gobelins) by Auguste Lepère

Medium

etching with aquatint

Classification

Print

Department

CG-E

Museum

National Gallery of Art, Washington, D.C.

Credit

Rosenwald Collection

Accession Number

1943.3.5581

Rights

Public Domain

Art Historical Context

Auguste Lepère's *Gobelins Quarter (Le quartier Gobelins)*, in 1893, a slice of everyday Parisian life in the vibrant neighborhood surrounding the historic Gobelins tapestry manufactory. This iconic district in Paris's 13th arrondissement, home to the royal workshop established in the 17th century, buzzes with workers, architecture, and urban energy during the Belle Époque—a time of rapid modernization and artistic flourishing. Lepère, a French printmaker renowned for his detailed urban scenes, invites viewers into this lively tableau, evoking the neighborhood's enduring cultural legacy tied to textile artistry and craftsmanship. Rendered in etching combined with aquatint, the print showcases Lepère's technical prowess. Etching provides crisp, incisive lines to delineate figures and buildings, while aquatint adds subtle tonal gradations, mimicking the soft, atmospheric effects of watercolor or oil painting. This innovative mixed technique elevated printmaking in the late 19th century, making it a democratic art form accessible beyond paintings. Part of the esteemed Rosenwald Collection at the National Gallery of Art, this work exemplifies how prints preserved fleeting moments of city life for posterity. Step into the Gobelins Quarter through Lepère's lens and feel the pulse of old Paris meeting modernity— a timeless reminder of how art weaves history into the everyday.

About the Artist

Auguste Lepère · 1849–1918

Auguste-Louis Lepère (1849–1918), son of the sculptor François Lepère, was born in Paris on November 30, 1849, into an artistic family that shaped his early path. At age thirteen, he apprenticed in the Paris studio of the English wood engraver Joseph Burn Smeeton, honing his skills in wood engraving until 1867. He furthered his training with drawing classes under Horace Lecoq de Boisbaudran at the...

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