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Gobelins Quarter (Le quartier des Gobelins)

Gobelins Quarter (Le quartier des Gobelins) by Auguste Lepère

Medium

etching with aquatint

Classification

Print

Department

CG-E

Museum

National Gallery of Art, Washington, D.C.

Credit

Rosenwald Collection

Accession Number

1943.3.5582

Rights

Public Domain

Art Historical Context

Auguste Lepère's *Gobelins Quarter (Le quartier des Gobel)*, created in 1893, the bustling energy of a historic Paris neighborhood renowned for its royal tapestry manufactory, the Gobelins, established in the 17th century. This etching with aquatint, part of the National Gallery of Art's Rosenwald Collection reflects the late 19th-century fascination with urban life during the Belle Époque, artists like Lepère documented the city's evolving streets and working-class districts with vivid realism. Lepère, a master French printmaker (1849–1918), excelled in techniques that brought depth and atmosphere to his scenes. Etching provided precise lines for architectural details and figures, while aquatint added subtle tonal gradations, mimicking watercolor effects to evoke the play of light on cobblestones and rooftops. This combination allowed for rich, painterly prints that were both affordable and artistic, bridging fine art and popular illustration. As a window into everyday Parisian life, the work highlights the cultural heartbeat of the Gobelins area—home to artisans and laborers—offering visitors a tactile sense of history amid modernization. A gem for print enthusiasts, it showcases Lepère's skill in transforming ordinary vistas into timeless poetry.

About the Artist

Auguste Lepère · 1849–1918

Auguste-Louis Lepère (1849–1918), son of the sculptor François Lepère, was born in Paris on November 30, 1849, into an artistic family that shaped his early path. At age thirteen, he apprenticed in the Paris studio of the English wood engraver Joseph Burn Smeeton, honing his skills in wood engraving until 1867. He furthered his training with drawing classes under Horace Lecoq de Boisbaudran at the...

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