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Good Harbor Beach, Cape Ann, Massachusetts

William Trost Richards

ca. 1871 or 1873

Good Harbor Beach, Cape Ann, Massachusetts by William Trost Richards

Medium

Graphite on tan wove paper

Dimensions

10 1/8 x 14 9/16 in. (25.7 x 37 cm)

Classification

Drawing

Culture

American

Department

The American Wing

Museum

Metropolitan Museum of Art, New York, NY

Credit

Gift of Walter Knight Sturges, 1977

Accession Number

1977.380

Rights

Public Domain

Tags

Beaches

Art Historical Context

William Trost Richards, a 19th-century American artist associated with the Hudson River School, captured the rugged beauty of Good Harbor Beach on Cape Ann, Massachusetts, this delicate graphite drawing from around 1871 or 1873. Known for his meticulous depictions of nature, Richards often sketched coastal scenes during his travels along New England's shores, emphasizing the interplay of light, texture, and form in landscapes that evoke a sense of serene power. Rendered on tan wove paper—a sturdy, textured support ideal for detailed studies—the artwork measures 10 1/8 x 14 9/16 inches and showcases Richards' virtuoso use of graphite. Fine lines and subtle shading render the beach's sandy expanse, rocky outcrops, and distant waves with precision, highlighting his Pre-Raphaelite-inspired attention to natural detail. Such preparatory drawings were essential to his process, bridging fieldwork observation and larger oil paintings. Housed in The American Wing of the Metropolitan Museum of Art as a gift from Walter Knight Sturges in 1977, this piece reflects the era's growing fascination with American wilderness and seascapes. It invites visitors to appreciate the quiet artistry of a sketch that distills the timeless allure of Cape Ann's beaches, a favored haunt for artists seeking unspoiled inspiration.

About the Artist

William Trost Richards · 1833–1905

William Trost Richards (1833–1905) was a prominent American landscape and marine painter born in Philadelphia, where he attended Central High School before beginning his artistic training. Between 1850 and 1855, he studied part-time under the German-born Hudson River School artist Paul Weber while working as a designer and illustrator of ornamental metalwork. He exhibited his first works at the Pe...

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