Hanazono bantsuzuki

About this artwork

nishikie, with metallic pigments

Art Historical Context

**Hanazono bantsuzuki** by Totoya Hokkei, around 1822, is a captivating example of Japanese woodblock printing from the late Edo period. Measuring just 203 mm high by 176 mm wide, this intimate *nishikie*—or "brocade pictureshowcases Hokkei's mastery in the ukiyo-e tradition. As a pupil of the renowned Katsushika Hokusai, Hokkei was known for his refined designs, often producing surimono, luxurious private prints commissioned for poetic gatherings, New Year's, or special occasions. The *nishikie* technique revolutionized printmaking by employing multiple woodblocks to layer vibrant colors, mi...

About the Artist

Totoya Hokkei · 1780–1850

Totoya Hokkei (魚屋 北渓, 1780–1850), born Iwakubo Tatsuyuki in Edo (modern Tokyo), began his life as a humble fishmonger in the Yotsuya Samegahashi district, a trade reflected in his art name "Totoya," meaning fish shop. He transitioned to art through rigorous training, first studying under Kanō Yōsen'in Korenobu, head of the Kobikichō branch of the prestigious Kanō school, where he honed landscape p...