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Hans Bol

Hans Bol by Hendrick Goltzius

Medium

Engraving on laid paper

Dimensions

Sheet (trimmed): 26.1 × 18 cm (10 5/16 × 7 1/8 in.)

Classification

engraving

Department

Prints and Drawings

Museum

Art Institute of Chicago

Accession Number

264807

Rights

Public Domain

Art Historical Context

This engraving by Hendrick Goltzius, created in 1593, presents a portrait of the Flemish painter Hans Bol. Working in the Netherlands during the late Renaissance, Goltzius was one of the most celebrated printmakers of his generation. His precise line work and ability to suggest texture and depth through the engraved line made him a master of the medium, and this sheet exemplifies the refined technique that allowed his images to reach audiences far beyond the original drawing or painting. As a print on laid paper, the work belongs to a tradition in which engravings served both as independent artworks and as vehicles for disseminating likenesses of notable figures. Portraits of fellow artists like Bol were especially valued, preserving the features of painters whose paintings might otherwise be known only to a small circle of collectors. The modest scale of the sheet—roughly the size of a sheet of writing paper—made such images portable and collectible. Today housed in the Art Institute of Chicago’s Prints and Drawings department, the engraving offers modern viewers a direct connection to the artistic community of the late sixteenth century. Its crisp lines and balanced composition reflect the period’s growing appreciation for reproductive prints as both technical achievements and cultural records.

About the Artist

Hendrick Goltzius · 1558–1617

Hendrick Goltzius (1558–1617) was the most celebrated engraver of the Northern Renaissance and a pivotal figure in Dutch Mannerism. Born near the German-Dutch border, Goltzius transformed printmaking into a virtuoso art form through his revolutionary 'swelling line' technique, where the burin was manipulated to create lines of varying thickness that produced unprecedented tonal effects and three-d...

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