Interior View of the Court Yard and Frontal View of the Defense Mechanism at Chateau d'Anet

Interior View of the Court Yard and Frontal View of the Defense Mechanism at Chateau d'Anet by Jacques Androuet Du Cerceau

Medium

Engraving

Dimensions

sheet: 15 3/4 x 19 11/16 in. (40 x 50 cm) image: 5 9/16 x 10 1/8 in. (14.2 x 25.7 cm) image: 6 1/16 x 11 7/16 in. (15.4 x 29 cm)

Classification

Prints|Ornament & Architecture

Department

Drawings and Prints

Museum

Metropolitan Museum of Art, New York, NY

Credit

Bequest of Phyllis Massar, 2011

Accession Number

2012.136.167.3

Tags

ArchitectureCourtyards

About this artwork

This engraving presents interior and frontal views of the courtyard and defensive mechanisms at Château d'Anet, published in 1607 from designs by Jacques Androuet du Cerceau. The print documents one of France's notable Renaissance buildings, demonstrating du Cerceau's systematic approach to architectural documentation through measured drawings that combine plan, elevation, and perspective views. The engraving shows the architectural details and spatial organization of the château with the precis...

Art Historical Context

This enchanting engraving by Jacques Androuet duceau captures the grandeur of Château d'Anet's courtyard and its defensive mechanisms, offering both interior and frontal views. Published posthumously in 1607—long after the artist's death in 1584 exemplifies du Cerceau's mastery as a French Renaissance architect and printmaker. precise measured drawings that blend plan, elevation, and perspective, print meticulously documents architectural details and spatial harmony, making it a treasured resource for 16th- and 17th-century builders and patrons. Château d'Anet, constructed for Diane de Poitie...

About the Artist

Jacques Androuet Du Cerceau · 15101585

Jacques I Androuet du Cerceau (c. 1510–1584), born in Paris to a wine merchant, emerged as a pivotal figure in introducing Renaissance architecture to France through his innovative designs and engravings. Trained as an architect, decorator, and engraver, he established a printshop in Orléans around 1549, where he began producing influential suites of engravings, starting with triumphal arches. His...

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