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Job Rebuked by His Friends

Job Rebuked by His Friends by William Blake

Medium

engraving on thick paper

Classification

Portfolio

Department

CG-E

Museum

National Gallery of Art, Washington, D.C.

Credit

Rosenwald Collection

Accession Number

1943.3.1689

Rights

Public Domain

Art Historical Context

William Blake's *Job Rebuked by Friends* (1825) is a poignant engraving from his monumental series *Illustrations of the Book Job*, capturing a dramatic moment from the biblical narrative. In this scene, Job endures sharp criticism from his three friends—Eliphaz, Bildad, and Zophar—who accuse him of hidden sin amid his suffering. Blake, a visionary poet and printmaker of the Romantic era, infuses the composition with intense emotion and symbolic depth, portraying Job's steadfast faith against a swirling backdrop of divine light and human judgment. Crafted as an engraving on thick laid paper, the work showcases Blake's mastery of line and relief etching—a technique he refined to blend drawing and printing into a unified artistic vision. Unlike conventional engravings, Blake's process allowed for intricate, hand-colored details (though this example is uncolored), emphasizing spiritual turmoil through dynamic poses and luminous contrasts. Produced late in his life, these 22 plates represent Blake's lifelong meditation on suffering, redemption, and the human-divine dialogue. Housed in the National Gallery of Art's Rosenwald Collection (Department CG-E, Portfolio classification), this piece highlights Blake's enduring influence on British Romanticism and his role as a bridge between mysticism and modernity. Visitors are drawn to its raw power, inviting reflection on resilience in the face of adversity.

About the Artist

William Blake · 1757–1827

William Blake (1757–1827) stands as one of the most visionary and unconventional artists in British history, a poet-painter-printmaker whose mystical imagination and radical vision profoundly shaped the Romantic movement. Born in London's Soho district, Blake experienced visions from childhood—claiming to see angels in trees at age eight—and these spiritual encounters would guide his art throughou...

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