Artheon MuseumArtheonMuseum

Knife, fork, spoon, and corkscrew in a case (Étui de couvert)

Anonymous

late 17th or 18th century

Knife, fork, spoon, and corkscrew in a case (Étui de couvert) by Anonymous

Medium

Steel, iron, partly inlaid with horn; leather

Dimensions

Length (knife): 6 5/8 in. (16.8 cm); Length (fork): 5 7/8 in. (14.9 cm); Overall (spoon): 5 7/8 × 1 1/2 in. (14.9 × 3.8 cm); Overall (corkscrew, open): 3 1/2 × 1 1/2 in. (8.9 × 3.8 cm); Overall (case, closed): 9 × 2 5/8 × 2 1/2 in. (22.9 × 6.7 × 6.4 cm)

Classification

Metalwork-Steel

Culture

probably French or Italian

Department

European Sculpture and Decorative Arts

Museum

Metropolitan Museum of Art, New York, NY

Credit

Gift of Joseph G. Reinis, 2011

Accession Number

2011.323.1a, b–.5

Rights

Public Domain

Art Historical Context

This exquisite *Étui de couvert*—a compact case containing a knife, fork, spoon, and corkscrew—dates to the late 17th or 18th century and likely hails from France or Italy. These portable dining sets were essential accessories for travelers, merchants, or nobility during the Baroque era, when refined table manners and mobility were hallmarks of elite culture. Encased in leather for protection, the set reflects the era's blend of practicality and elegance, allowing owners to dine properly even on the road. Crafted from steel and iron, with selective inlays of horn for decoration, the pieces showcase masterful metalwork techniques. The horn inlays add a subtle, tactile contrast to the durable metals, highlighting the artisan's skill in combining functionality with subtle ornamentation. Measuring just under 9 inches long when closed, the case's diminutive size underscores its travel-friendly design, while the corkscrew nods to the continent's growing wine culture. Housed in the Metropolitan Museum of Art's Department of European Sculpture and Decorative Arts, this anonymous masterpiece (gift of Joseph G. Reinis, 2011) offers a glimpse into everyday luxury, where even utensils became objects of artistry and status.

About the Artist

Anonymous

In the vast tapestry of art history, "Anonymous" stands not as a singular individual but as a collective designation for countless unidentified creators whose works have endured across millennia. These artists, spanning prehistoric cave painters to medieval illuminators and folk craftsmen, produced the foundational layers of human visual culture. Prior to the Renaissance, when individual fame emer...

    Send Feedback

    We use this only to reply to your feedback.