La salle des pas-perdus a l'ancien Palais de Justice (The antechamber of the Palais de Justice, Paris, Reproduction after the original by Jacques Anrouet Du Cerceau)

La salle des pas-perdus a l'ancien Palais de Justice (The antechamber of the Palais de Justice, Paris, Reproduction after the original by Jacques Anrouet Du Cerceau) by Charles Meryon|Jacques Androuet Du Cerceau

Medium

Etching (from a pewter plate)

Dimensions

plate: 12 x 17 1/8 in. (30.5 x 43.5 cm)

Classification

Prints|Ornament & Architecture

Department

Drawings and Prints

Museum

Metropolitan Museum of Art, New York, NY

Credit

Rogers Fund, 1917

Accession Number

17.78.19

Tags

ParisArchitecture

Art Historical Context

Step into the echoing grandeur of 16th-century Paris with *La salle des pas-perdus l'ancien Palais de Justice a meticulous 1855 etching by Charles Meryon, faithfully reproducing an original engraving by the Renaissance master Jacques Androuet du Cer. This print captures the vaulted antechamber—or "hall of lost steps"—of Paris's historic Palais de Justice, a Gothic jewel where litigants once paced in anticipation. Du Cerceau, a pioneering architect and engraver active in the 1500s, documented France's Renaissance-era buildings with unprecedented precision, making his works invaluable records of...

About the Artist

Charles Meryon|Jacques Androuet Du Cerceau · 18211868

Charles Meryon, born on November 23, 1821, in Paris, was the illegitimate son of English physician Dr. Charles Lewis Meryon and dancer Pierre-Narcisse Chaspoux (stage name Narcisse Gentil) at the Paris Opéra. His half-sister Fanny, from his mother's prior relationship with Viscount Lowther, remained in contact after their mother's death in 1838. Raised partly outside Paris before attending Pension...

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