Les Bohémiens en Marche: L'Arrière-Garde, pièce aussi appelée Le Départ (The Gypsies Travelling: The Rear Guard, also called The Departure), from Le Bohémiens, série appelée aussi Les Égyptiens, La Marche des Bohémiens, La Vie Errante des Bohémiens, Les Marches Égyptiennes (The Gypsies, series also called The Egyptiens, The Gypsy Troops, The Wandering Lives of Gypsies, The Egyptian Troops)

Jacques Callot

early 17th century

Les Bohémiens en Marche: L'Arrière-Garde, pièce aussi appelée Le Départ (The Gypsies Travelling: The Rear Guard, also called The Departure), from Le Bohémiens, série appelée aussi Les Égyptiens, La Marche des Bohémiens, La Vie Errante des Bohémiens, Les Marches Égyptiennes (The Gypsies, series also called The Egyptiens, The Gypsy Troops, The Wandering Lives of Gypsies, The Egyptian Troops) by Jacques Callot

Medium

Etching and engraving; second state of four (Lieure)

Dimensions

Sheet: 10 3/8 x 10 15/16 in. (26.4 x 27.8 cm) Plate: 8 7/8 x 9 7/16 in. (22.5 x 23.9 cm)

Classification

Prints

Department

Drawings and Prints

Museum

Metropolitan Museum of Art, New York, NY

Credit

Rogers Fund, 1922

Accession Number

22.67.47

Art Historical Context

Jacques Callot's *Les Bohémiens en Marche L'Arrière-Garde (The Gypsies Travelling: Rear Guard, also calledThe Departure*), from his early 17th-century *Les Bohémiens* (also known as *The Egyptiens* or *The Gypsy Troops*), captures the chaos of a wandering Roma procession. This etching and engraving depicts the straggling rear guard—families, animals, and carts trudging along—evoking the nomadic "wandering lives" that fascinated European artists of the Baroque era. Callot, a masterful French printmaker, drew from his travels in Italy and Lorraine, infusing the scene with lively, anecdotal detai...

About the Artist

Jacques Callot · 15921635

Jacques Callot (1592–1635) was a French printmaker and draftsman from the Duchy of Lorraine, widely regarded as one of the first great artists to practice the graphic arts exclusively. His more than 1,400 etchings chronicled the breadth of 17th-century life, from Medici court festivities to the brutal realities of warfare. Callot revolutionized etching through technical innovations including the é...

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