Les Bohémiens en Marche: L'Arrière-Garde, pièce aussi appelée Le Départ (The Gypsies Travelling: The Rear Guard, also called The Departure), from Le Bohémiens, série appelée aussi Les Égyptiens, La Marche des Bohémiens, La Vie Errante des Bohémiens, Les Marches Égyptiennes (The Gypsies, series also called The Egyptiens, The Gypsy Troops, The Wandering Lives of Gypsies, The Egyptian Troops)

Jacques Callot

early 17th century

Les Bohémiens en Marche: L'Arrière-Garde, pièce aussi appelée Le Départ (The Gypsies Travelling: The Rear Guard, also called The Departure), from Le Bohémiens, série appelée aussi Les Égyptiens, La Marche des Bohémiens, La Vie Errante des Bohémiens, Les Marches Égyptiennes (The Gypsies, series also called The Egyptiens, The Gypsy Troops, The Wandering Lives of Gypsies, The Egyptian Troops) by Jacques Callot

Medium

Etching and engraving; fourth state of four [?] (Lieure)

Dimensions

Mount: 5 13/16 x 11 1/16 in. (14.8 x 28.1 cm) Sheet: 5 5/16 x 9 13/16 in. (13.5 x 24.9 cm) Plate: 4 15/16 x 9 5/16 in. (12.6 x 23.7 cm)

Classification

Prints

Department

Drawings and Prints

Museum

Metropolitan Museum of Art, New York, NY

Credit

Gift of Harry G. Friedman, 1962

Accession Number

62.635.585

Art Historical Context

Jacques Callot's *Les Bohémiens Marche: L'Arrièrearde* (The Gypsies Travelling: The Guard, also called *The Departure*), from the early 17th, captures the vibrant energy of a Romani caravan in motion. Part of Callot's renowned *Le Bohémiens* series—also known as *Lesgyptiens* or *La Marche des Bohémi*—this etching and engraving depicts the straggling rear guard of a wandering troupe, blending everyday life with a sense of nomadic romance. Created during Callot's prolific career in the Baroque era, the print reflects his fascination with marginalized communities, often portrayed with empathy an...

About the Artist

Jacques Callot · 15921635

Jacques Callot (1592–1635) was a French printmaker and draftsman from the Duchy of Lorraine, widely regarded as one of the first great artists to practice the graphic arts exclusively. His more than 1,400 etchings chronicled the breadth of 17th-century life, from Medici court festivities to the brutal realities of warfare. Callot revolutionized etching through technical innovations including the é...

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