Les Bohémiens en Marche: L'Arrière-Garde, pièce aussi appelée Le Départ (The Gypsies Travelling: The Rear Guard, also called The Departure), from Le Bohémiens, série appelée aussi Les Égyptiens, La Marche des Bohémiens, La Vie Errante des Bohémiens, Les Marches Égyptiennes (The Gypsies, series also called The Egyptiens, The Gypsy Troops, The Wandering Lives of Gypsies, The Egyptian Troops)
early 17th century
Medium
Etching and engraving; fourth state of four [?] (Lieure)
Dimensions
Mount: 5 13/16 x 11 1/16 in. (14.8 x 28.1 cm) Sheet: 5 5/16 x 9 13/16 in. (13.5 x 24.9 cm) Plate: 4 15/16 x 9 5/16 in. (12.6 x 23.7 cm)
Classification
Prints
Department
Drawings and Prints
Museum
Metropolitan Museum of Art, New York, NY
Credit
Gift of Harry G. Friedman, 1962
Accession Number
62.635.585
Art Historical Context
Jacques Callot's *Les Bohémiens Marche: L'Arrièrearde* (The Gypsies Travelling: The Guard, also called *The Departure*), from the early 17th, captures the vibrant energy of a Romani caravan in motion. Part of Callot's renowned *Le Bohémiens* series—also known as *Lesgyptiens* or *La Marche des Bohémi*—this etching and engraving depicts the straggling rear guard of a wandering troupe, blending everyday life with a sense of nomadic romance. Created during Callot's prolific career in the Baroque era, the print reflects his fascination with marginalized communities, often portrayed with empathy an...
About the Artist
Jacques Callot · 1592–1635
Jacques Callot (1592–1635) was a French printmaker and draftsman from the Duchy of Lorraine, widely regarded as one of the first great artists to practice the graphic arts exclusively. His more than 1,400 etchings chronicled the breadth of 17th-century life, from Medici court festivities to the brutal realities of warfare. Callot revolutionized etching through technical innovations including the é...