Liber Veritatis. Or a Collection of Two Hundred Prints, after the original designs of Claude le Lorrain (...)

About this artwork

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Art Historical Context

Richard Earlom's *Liber Veritatis. Or a Collection of Two Prints, after the original designs of Claude le Lain* (1776) is a exquisite etching capturing the pastoral elegance of the 17th-century master's landscapes. Measuring 208 × 258 mm, this is part of a celebrated series published in London, where British engraver Earlom meticulously reproduced Claude Gellée's (Claude Lorrain) original drawings from his own *Liber Veritatis*—a personal record of nearly 200 paintings created to verify authenticity amid rampant forgeries. Claude, a pioneer of idealizing classical landscapes bathed in luminou...

About the Artist

Richard Earlom · 1728–1794

Richard Earlom (1743–1822) stands as one of the supreme masters of mezzotint engraving in British art history, whose technical virtuosity and dedication to reproductive printmaking brought the works of Old Masters to unprecedented audiences. Born in London on May 14, 1743, Earlom spent his entire career transforming paintings and drawings into prints of extraordinary quality, elevating reproductiv...