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永樂保全筆 「陶造」|Making Ceramics

Eiraku Hozen

first half of the19th century

永樂保全筆 「陶造」|Making Ceramics by Eiraku Hozen

Medium

Hanging scroll; ink and color on paper

Dimensions

Overall: 47 1/2 x 16 7/8 in. (120.7 x 42.9 cm) Overall with mounting: 67 x 21 3/4 in. (170.2 x 55.2 cm) Overall with knobs: 67 x 23 3/4 in. (170.2 x 60.3 cm)

Classification

Paintings

Culture & Period

Japan · Edo period (1615–1868)

Department

Asian Art

Museum

Metropolitan Museum of Art, New York, NY

Credit

Rogers Fund, 1918

Accession Number

18.77.4

Rights

Public Domain

Tags

MenWorking

Art Historical Context

This hanging scroll, *Making Ceramics*, offers a vivid glimpse into the world of Japanese pottery during the Edo period (1615–1868). Created by Eiraku Hozen, a distinguished Kyoto-based potter from the renowned Eiraku family, the work reflects the era’s deep appreciation for craft traditions. Hozen, active in the first half of the nineteenth century, was celebrated for his mastery of ceramic techniques, and here he turns his attention to documenting the very process that defined his life’s work. Rendered in ink and color on paper, the painting shows artisans engaged in various stages of ceramic production, highlighting the collaborative and labor-intensive nature of the craft. As a hanging scroll, it was designed for intimate viewing in a domestic or studio setting, allowing viewers to appreciate the rhythmic movements of the potters. Hozen’s insider perspective as both artist and practitioner lends authenticity to the scene, celebrating the skill and dedication behind everyday objects. Today housed in the Metropolitan Museum of Art’s Asian Art collection, the scroll serves as a valuable record of Edo-period craftsmanship. It reminds us how art and industry intertwined in Japanese culture, preserving both the human stories and technical knowledge of ceramic making for future generations.

About the Artist

Eiraku Hozen · 1795–1854

Eiraku Hozen (1795–1854) was a celebrated Japanese ceramic artist and the sixteenth-generation head of the Nishimura family, a Kyoto dynasty of potters whose work was closely associated with the tastes of the imperial court and the refined aesthetic culture of the ancient capital. Operating under the artistic name Eiraku — a name that would become synonymous with a particular style of elegant, tec...

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