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Market Place at Cambridge

Thomas Rowlandson

November 15, 1801

Market Place at Cambridge by Thomas Rowlandson

Medium

Etching

Dimensions

Sheet: 6 13/16 × 9 13/16 in. (17.3 × 25 cm)

Classification

Prints

Department

Drawings and Prints

Museum

Metropolitan Museum of Art, New York, NY

Credit

The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959

Accession Number

59.533.796

Rights

Public Domain

Tags

HorsesAnimalsMenWomenMarkets

Art Historical Context

Step into the bustling heart of early 19th-century England Thomas Rowlandson's *Market Place at Cambridge*, an etching dated November 15, 1801. This print captures the vibrant chaos of Cambridge's market square, teeming with men, women horses, and animals amid stalls and commerce. Rowlandson, a master caricaturist of the Georgian era, infuses the scene with his signature wit and observation, transforming everyday life into a snapshot social energy and urban rhythm. As a hand-colored etching—measuring just 6 13/16 × 9 13/16 inches—this work exemplifies the printmaking techniques that made Rowlandson's art accessible to a wide audience. Etching allowed for intricate lines etched into a metal plate with acid, enabling detailed reproductions that could be hand-tinted for vivid appeal. Produced during a time of rapid urbanization and growing print culture, it reflects the public's fascination with topographic views and genre scenes, blending humor with documentary precision. Housed in the Metropolitan Museum of Art's Drawings and Prints department as part of The Elisha Whittelsey Collection, this piece highlights Rowlandson's enduring legacy in satirizing British society. Visitors will delight in spotting the quirky interactions that reveal the humanity of market-goers over two centuries ago.

About the Artist

Thomas Rowlandson · 1756–1827

Thomas Rowlandson (1757–1827) was an English artist and caricaturist whose satirical watercolors and prints captured the social life of Georgian Britain with unparalleled wit and technical mastery. Alongside James Gillray, he is recognized as one of the greatest British graphic artists, and his distinctive flowing line and keen observations have made his work integral to understanding late 18th an...

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