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Mirror Support - Lady Bust

Mirror Support - Lady Bust by Helen Bronson

Medium

watercolor, colored pencil, and graphite on paperboard

Dimensions

overall: 35.4 x 24.4 cm (13 15/16 x 9 5/8 in.) Original IAD Object: 4 9/16"high; 3 3/8"wide

Classification

Index of American Design

Department

CG-W

Museum

National Gallery of Art, Washington, D.C.

Credit

Index of American Design

Accession Number

1943.8.5381

Rights

Public Domain

Art Historical Context

**Mirror Support - Lady Bust by Helen Bronson, around 1941, captures the delicate charm of an early American decorative object—a petite bust of a lady designed to support a mirror. Rendered in watercolor, colored pencil, and on paperboard (35.4 x 24.4 cm), this precise drawing highlights the bust's modest scale (original object: 4 9/16 x 3 3/8 inches) and elegant features, evoking the craftsmanship of colonial or Federal-era folk art. As part of the *Index of American Design* (IAD), a Works Progress Administration (WPA) project from 1935–1942, Bronson's work documents America's rich design heritage during the Great Depression. Over 18,000 such renderings by artists nationwide preserved everyday objects like furniture, ceramics, and textiles, blending artistic skill with scientific accuracy to celebrate regional traditions. This piece exemplifies the IAD's mixed-media technique, where watercolor adds lifelike color and texture, colored pencil refines details, and graphite ensures exact contours. Housed in the National Gallery of Art, it invites us to appreciate how humble household items reflected cultural identity, bridging art history with everyday American life.

About the Artist

Helen Bronson · 1900–1990

Helen Bronson is an artist whose biographical details remain largely undocumented in the scholarly record. No confirmed dates of birth or death have been established, and her nationality and the cultural context in which she worked have not been definitively identified. The works attributed to her suggest a period of activity that has attracted curatorial attention, but the fuller circumstances of...

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