Artheon MuseumArtheonMuseum

Mountainous Landscape with Hermits

Marco Ricci

1676–1730

Mountainous Landscape with Hermits by Marco Ricci

Medium

Gouache on kidskin

Dimensions

11-3/4 x 17-5/16 in. (29.9 x 43.9 cm)

Classification

Drawings

Department

Drawings and Prints

Museum

Metropolitan Museum of Art, New York, NY

Credit

Bequest of Harry G. Sperling, 1971

Accession Number

1975.131.46

Rights

Public Domain

Tags

MenMountainsLandscapesCross

Art Historical Context

Marco Ricci's *Mountainous Landscape with Hermits* (ca. 1700–1730) captures the sublime beauty of jagged peaks and serene valleys in a compact gouache on kidskin, just 11-3/4 x 17-5/16 inches. This Venetian artist's intimate drawing depicts solitary male figures—likely hermitsamidst towering mountains, with a prominent cross symbolizing spiritual retreat and contemplation. Ricci, active during the late Baroque period, drew from the grand landscape traditions of his native Italy, blending real and imagined vistas in a style that foreshadowed the vedute of later masters like Canaletto. The choice of gouache, an opaque watercolor, on kidskin (goatskin parchment) is particularly noteworthy. This medium allowed Ricci to achieve luminous, jewel-like colors and precise detailing on a durable yet delicate support, ideal for portable sketches or collector's pieces. Such works were prized in 18th-century Europe for their poetic evocation of nature's majesty and humanity's humble place within it, reflecting Counter-Reformation ideals of piety amid wilderness. Today, this gem resides in the Metropolitan Museum of Art's Drawings and Prints department, a bequest from Harry G. Sperling in 1971. It invites visitors to ponder the harmony of rugged terrain and quiet devotion, showcasing Ricci's mastery in miniature.

About the Artist

Marco Ricci · 1676–1730

Marco Ricci (1676–1730) was born on June 6 in Belluno, in the Republic of Venice, into a family steeped in artistic tradition as the nephew of the renowned Baroque painter Sebastiano Ricci. He received his first instruction in art from his uncle, likely during a period in Milan from 1694 to 1696, before accompanying Sebastiano to Venice in 1696, from which he soon fled amid personal troubles. Ricc...

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