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Mrs. John Winthrop

Mrs. John Winthrop by John Singleton Copley

Medium

Oil on canvas

Dimensions

35 1/2 x 28 3/4 in. (90.2 x 73 cm)

Classification

Painting

Culture

American

Department

The American Wing

Museum

Metropolitan Museum of Art, New York, NY

Credit

Morris K. Jesup Fund, 1931

Accession Number

31.109

Rights

Public Domain

Tags

PortraitsWomen

Art Historical Context

John Singleton Copley’s 1773 portrait of Mrs. John Winthrop captures the elegance and composure of a colonial American woman on the eve of the Revolutionary War. Painted in oil on canvas, the work exemplifies Copley’s mastery of realistic detail, from the subtle folds of fabric to the luminous quality of skin tones. As one of the foremost portraitists in the American colonies, Copley brought a refined European sensibility to his subjects while grounding them in the everyday world of Boston’s elite. This painting reflects the growing sophistication of American art during a period of political ferment. Created just two years before the outbreak of war, it offers a window into the social circles that would soon shape the new nation. The sitter’s direct gaze and poised demeanor convey both personal dignity and the cultural aspirations of her time. Housed in the Metropolitan Museum’s American Wing, the portrait entered the collection in 1931 through the Morris K. Jesup Fund. Its presence today allows visitors to appreciate Copley’s ability to blend psychological insight with technical precision, preserving a vivid likeness of an individual whose quiet presence speaks across centuries.

About the Artist

John Singleton Copley · 1738–1815

John Singleton Copley (1738–1815) was the greatest American painter of the colonial era and one of the finest portraitists in the English-speaking world. Born in Boston, Massachusetts, he was largely self-taught, learning from mezzotint reproductions of European paintings and from his stepfather Peter Pelham, an engraver. By his early twenties, Copley had established himself as Boston's leading po...

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