My Beautiful Lady (top); Of My Lady in Death (bottom), frontispiece to The Germ, No. 1

Art Historical Context

William Holman Hunt created this delicate etching in 1850 as the frontispiece for the first issue of *The Germ*, a short-lived periodical that showcased the work of innovative young British artists and writers. The dual titles—“My Beautiful Lady” above and “Of My Lady in Death” below—suggest a poignant pairing of images exploring themes of love and mortality, rendered with the fine lines and intimate scale typical of early Victorian printmaking. Executed in the chine collé technique on chine paper mounted to a larger sheet, the print demonstrates Hunt’s mastery of etching at a time when the medium was gaining renewed appreciation for its expressive potential. The compact plate size invites close viewing, rewarding the observer with subtle details that evoke both tenderness and loss. Today housed in the Art Institute of Chicago’s Department of Prints and Drawings, this work offers a rare glimpse into the collaborative spirit of mid-nineteenth-century artistic circles and the enduring power of illustration to convey complex human emotions.

About the Artist

William Holman Hunt · 1813–1907

**William Holman Hunt (1827–1910)** was an English painter and a founding member of the Pre-Raphaelite Brotherhood, renowned for his meticulous attention to detail, vivid colors, and symbolic depth in both religious and contemporary subjects. Born William Hobman Hunt on 2 April 1827 in Cheapside, London, to a warehouse manager, he initially worked as an office clerk before gaining admission to th...