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Naked male torso seen from behind

Naked male torso seen from behind by Leonardo da Vinci|Wenceslaus Hollar

Medium

Etching; only state

Dimensions

3 9/16 x 2 1/16 in. (9.1 x 5.2 cm) upper left and bottom right corners cut

Classification

Prints

Department

Drawings and Prints

Museum

Metropolitan Museum of Art, New York, NY

Credit

Purchase, Joseph Pulitzer Bequest, 1917

Accession Number

17.50.18-239

Rights

Public Domain

Tags

Male Nudes

Art Historical Context

This delicate etching, titled *Naked Male Torso Seen from Behind*, captures the masterful anatomy of a male nude in a rear view, attributed to Leonardo da Vinci as the original draftsman andenceslaus Hollar as theaver. Created in 1645—the only known state of this print—its modest dimensions (3 9/16 x 2 1/16 in.) reflect the intimate scale of Renaissance drawing studies, though the upper left and bottom right corners have been trimmed, adding a touch of historical wear. Hollar, a prolific 17th-century Bohemiancher based in London, faithfully reproduced Leonardo's intricate pen-and-ink drawing, likely from the master's renowned anatomical sketches preserved in collections like the Royal Collection. Leonardo, the quintessential Renaissance polymath, dissected cadavers to understand the human form, revolutionizing artistic representation with unprecedented realism and three-dimensionality. This work exemplifies his obsession with musculature and proportion, echoing classical ideals while advancing empirical observation. Housed in the Metropolitan Museum of Art's Drawings and Prints department (acquired via the Joseph Pulitzer Bequest in 1917), the etching bridges Renaissance innovation and Baroque dissemination. It invites visitors to appreciate how prints like this preserved Leonardo's genius for generations, making elite studies accessible and underscoring the enduring cultural reverence for the male nude as a pinnacle of artistic exploration.

About the Artist

Leonardo da Vinci|Wenceslaus Hollar · 1452–1519

Leonardo da Vinci (1452-1519) stands as the quintessential Renaissance polymath, whose genius spanned painting, sculpture, architecture, science, mathematics, engineering, anatomy, geology, cartography, botany, and writing. Born in Vinci, Italy, as the illegitimate son of a notary, Leonardo received limited formal education but demonstrated extraordinary artistic talent from an early age. His appr...

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