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Ornamental Panel with Flaming Lamp and Floral Swags

Ornamental Panel with Flaming Lamp and Floral Swags by Anonymous, French, 19th century

Medium

Watercolor on vellum

Dimensions

sheet: 4 x 14 in. (10.2 x 35.6 cm)

Classification

Drawings

Department

Drawings and Prints

Museum

Metropolitan Museum of Art, New York, NY

Credit

Gift of Harry G. Friedman, 1962

Accession Number

62.635.200

Rights

Public Domain

Tags

LampsGarlands

Art Historical Context

This delicate *Ornamental Panel with Flaming Lamp and Floral Sw*, created by an anonymous French artist in 19th century, the era's passion for ornate decorative arts. Rendered in watercolor on vellum—a fine, translucent parchment made from animal skin—the work measures just 4 x 14 inches, suggesting it served as a design model for larger applications like furniture panels, wall decorations, or bookbindings. The central flaming lamp, symbolizing enlightenment and prosperity, is framed by lush floral swags or garlands, evoking and classical motifs revived during France's Romantic and Second Empire periods. Watercolor on vellum allowed for the luminous, jewel-like colors and intricate detailing that bring the composition to life, a technique prized for its precision and portability in ateliers. Such ornamental drawings were vital in the decorative trade, bridging fine art and craft, and reflecting the opulent tastes of bourgeois homes and public spaces. Though anonymous, the artist's skill highlights the collaborative world of 19th-century French design workshops. Today, this charming piece resides in the Metropolitan Museum of Art's Drawings and Prints department, a 1962 gift from Harry G. Friedman, inviting visitors to appreciate the subtle artistry behind everyday elegance.

About the Artist

Anonymous, French, 19th century · 1800–1900

**Anonymous, French, 19th Century (ca. 1800–1900)** The artist cataloged as Anonymous, French, 19th century embodies the enigmatic yet essential contributions of unidentified creators to France's vibrant 19th-century art world. Active roughly between 1800 and 1900, this figure—or potentially collective workshop—produced a diverse array of works amid the nation's transition from Neoclassicism thro...

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