新板浮絵忍ヶ岡之圖|Perspective Print: Shinobazu Pond

新板浮絵忍ヶ岡之圖|Perspective Print: Shinobazu Pond by Utagawa Toyoharu

Medium

Woodblock print; ink and color on paper

Dimensions

H. 9 3/16 in. (23.3 cm); W. 13 1/2 in. (34.3 cm)

Classification

Prints

Culture & Period

Japan · Edo period (1615–1868)

Department

Asian Art

Museum

Metropolitan Museum of Art, New York, NY

Credit

H. O. Havemeyer Collection, Bequest of Mrs. H. O. Havemeyer, 1929

Accession Number

JP1601

Tags

Human FiguresBridgesPonds

Art Historical Context

Visitors to the Metropolitan Museum of Art's Asian Art collection are delighted by *Perspective Print: Shinob Pond* (新板浮絵忍ヶ岡之圖), a vibrant woodblock print by Uawa Toyoharu, a pioneering figure in Japan's Edo period (1615–8). Created with ink and color on paper this horizontal ōban-sized print measures 9 3/16 × 13 1/2 inches, capturing the serene yet lively expanse of Shinobazu Pond Ueno, Tokyo. Teeming with human figures strolling bridges and boats gliding across the water, it evokes the "floating world" (ukiyo-e) of urban leisure and nature's beauty. Toyoharu, founder of the influential Utag...

About the Artist

Utagawa Toyoharu · 17351814

Utagawa Toyoharu (1735–1814) holds a foundational place in the history of Japanese printmaking as the founder of the prolific and long-lived Utagawa school, which would go on to produce some of the most celebrated names in ukiyo-e, including Hiroshige and Kuniyoshi. Born in what is now Hyogo Prefecture, Toyoharu moved to Edo, where he studied under Toriyama Sekien and later explored the Kano schoo...

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