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Peleus and Talamon, from the series 'Vessels of the Argonauts,' for the wedding celebration of Cosimo de' Medici in Florence, 1608
1608
Design for a Frieze with Three Putti holding a Garland and Two Leopards jumping over it, Plate 16 from: 'Decorative friezes and foliage' (Ornamenti di fregi e fogliami)
ca. 1645–50
Three goats climbing a vine in the shape of a backwards 'S', from 'Ornaments or Grotesques' (Ornamenti o Grottesche)
ca. 1650–56
A sedan chair, a coach, a commode, a side table and two clocks (Deux ch. à porteurs v. de côté, une commode, une console, deux pedules, un meuble indét), from Diverse Maniere d'adornare i cammini ed ogni altra parte degli edifizi...(Different Ways of ornamenting chimneypieces and all other parts of houses)
ca. 1769
Disegni Varij di Polifilo Zancarli (Friezes)
ca. 1625
Eight vases, a clepsydra in center decorated with two skulls with laurel wreaths, plate 6 from 'Collection of Various Vases' (Raccolta di Vasi Diversi)
ca. 1650–56
Portrait of the Duchess of Buccleugh and Ornament, nos. CCCCXXXII, 433, 435, plate 66 from "Designs for Various Ornaments"
August 30, 1792
Triumphal arch surmounted by a statue of Moses, buildings seen through the arch below, a temporary decoration for the entry of Pope Clement VIII in Bologna in 1598
1598
Seven vases, the vase in the middle formed by three infants, each holding an ewer, Plate 3 from: 'Collection of Various Vases' (Raccolta di Vasi Diversi)
ca. 1650–56
The letter R, constructed from a court pack of playing cards, stands on a riva (river bank)
18th century
Twenty-four riders dueling with swords in four groups, with two groups in lines at the top and bottom of the page, from 'La gara delle Stagioni'
1652
Portrait of the Duke of Northumberland, Vase and Ornamental Frame, no. CCCLXXI, plate 56 from "Designs for Various Ornaments"
July 26, 1792
More by Giovanni Battista Piranesi
Explore other works by this artist
Tomb of Julius Caesar
1765
View through the Herculaneum Gate, Pompeii
1778
Cornice and column from the Temple of Fortuna Virilis (Tempio della Fortuna Virile), from 'Le Antichità Romane'
1756
Section of column base from the Temple of Fortuna Virilis (Tempio della Fortuna Virile), from the series 'Le Antichità Romane'
1756
Profile of the Temple of Fortuna Virilis (Profilo del Tempio della Fortuna Virile), and section of the temple, from the series 'Le Antichità Romane'
1756
Elevation and plan of the second-order portico at the Theater of Marcellus (Teatro di Marcello), Rome, from the series 'Le Antichità Romane'
1756
Partial elevation and plan of the first-order portico at the Theater of Marcellus (Dimostrazione di una parte de' portici del prim' ordine del Teatro di Marcello), from 'Le Antichità Romane'
1756
Plan of a tomb on the Appian Way in Vigna Buonamici (Pianta di un sepolcro sull'antica Via Appia nella Vigna Buonamici), from the series 'Le Antichità Romane'
1756
Demonstration panel showing technique for raising travertine and marble blocks for the construction of the tomb of Cecilia Metella, Rome, from the series 'Le Antichità Romane'
1756
Plan and elevation of the Pons Fabricius (also known as the Quattro Capi Bridge), Rome, from the series 'Le Antichità Romane'
1756
View of the stone pavement of the Appian Way (Veduta dell'antica Via Appia), from the series 'Le Antichità Romane'
1756
Title page: volume IV, 'The Antiquities of Rome by Giambatista Piranesi, Venetian Architect. Volume 4, containing the ancient bridges, the remains of theaters, of porticoes, and of other monuments of Rome' (Le antichità romane di Giambatista Piranesi architetto veneziano. Tomo quarto, contenente i ponti antichi, gli avanzi de' teatri, de' portici, e di altri monumenti di Roma), from the series 'Roman Antiquities' (Le Antichità Romane)
1756