Plate 13 from "The Disasters of War" (Los Desastres de la Guerra): 'Bitter to be Present' (Amarga presencia)

Plate 13 from "The Disasters of War" (Los Desastres de la Guerra): 'Bitter to be Present' (Amarga presencia) by Goya (Francisco de Goya y Lucientes)

Medium

Etching, lavis, drypoint, burin and burnisher

Dimensions

Plate: 5 1/2 × 6 3/4 in. (13.9 × 17.1 cm) Sheet: 9 15/16 × 13 1/2 in. (25.2 × 34.3 cm)

Classification

Prints

Department

Drawings and Prints

Museum

Metropolitan Museum of Art, New York, NY

Credit

Purchase, Jacob H. Schiff Bequest, 1922

Accession Number

22.60.25(13)

Tags

MenWomen

Art Historical Context

**Plate 13: 'Bitter to be Present' Goya's *The Disasters of War Francisco de Goya y Lucientes, a master of Spanish Romanticism, created this haunting etching around 1810 amid the Peninsular War (1808–1814), Spain's brutal fight against Napoleon's invasion. Part of his seminal series *Los Desastres de la*—82 prints documenting war's atrocities—this plate captures the raw anguish of witnesses, likely men and women confronting horror, as suggested by its title *Amarga presencia*. Goya, then deaf and disillusioned, used these works to expose famine, violence, and human suffering without heroic ...

About the Artist

Goya (Francisco de Goya y Lucientes) · 17461828

Francisco José de Goya y Lucientes (1746-1828) was a Spanish painter and printmaker considered the last of the Old Masters and the first of the moderns. Rising from modest provincial origins to become First Court Painter to Charles IV, Goya's career spanned the Enlightenment's optimism and the brutal Napoleonic invasion that shattered it. A mysterious illness in 1793 left him permanently deaf and ...

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