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Plate 13 of "La Tauromaquia": A Spanish mounted knight in the ring breaking short spears without the help of assistants

Plate 13 of "La Tauromaquia": A Spanish mounted knight in the ring breaking short spears without the help of assistants by Goya (Francisco de Goya y Lucientes)

Medium

Etching, burnished aquatint, drypoint, burin

Dimensions

Plate: 9 3/4 in. × 14 in. (24.8 × 35.5 cm) Sheet: 12 x 16 15/16 in. (30.5 x 43 cm)

Classification

Prints

Department

Drawings and Prints

Museum

Metropolitan Museum of Art, New York, NY

Credit

Rogers Fund, 1921

Accession Number

21.19.13

Tags

HorsesBullsKnights

Art Historical Context

In Francisco de Goya's *La Tauromaquia*, Plate 13 captures a thrilling moment of equestrian valor in the bullring: a Spanish mounted knight deftly breaking short spears, or *garrochas*, against charging bull without assistants. Created in 1816, this print exemplifies Goya's fascination with bullfighting (*tauromaquia*), Spain's national spectacle, blending heroism with raw danger. As a Romantic artist, Goya elevated the sport's historical roots, drawing from 18th-century traditions while critiquing its spectacle through dramatic compositions. Goya masterfully combined etching, burnished aquat...

About the Artist

Goya (Francisco de Goya y Lucientes) · 17461828

Francisco José de Goya y Lucientes (1746-1828) was a Spanish painter and printmaker considered the last of the Old Masters and the first of the moderns. Rising from modest provincial origins to become First Court Painter to Charles IV, Goya's career spanned the Enlightenment's optimism and the brutal Napoleonic invasion that shattered it. A mysterious illness in 1793 left him permanently deaf and ...

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