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A shepherd on horseback in the middle of a stream, facing left, dogs, goats and cows follow to left and right, a large tree to left and mountains to right in the background, from 'Four large landscapes' (Quatre grands paysages en hauteur)
ca. 1652–57

Francesco de Medici, Prince of Tuscany
ca. 1634

A procession of horsemen and cannons in the middle ground walking to the left, a cannon and two men to left, from 'Peace and War' (Divers desseins tant pour la paix que pour la guerre)
ca. 1638–43

The massacre of the innocents set against a townscape
1680–1740

Christianity Triumphant over Heresy
ca. 1548–50 (?)
![Francesco I d'Este, Wounded in Battle, Continues to Orchestrate the Seige of Pavia, from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...]](/_next/image?url=https%3A%2F%2Fimages.metmuseum.org%2FCRDImages%2Fdp%2Fweb-large%2FDP830783.jpg&w=3840&q=75)
Francesco I d'Este, Wounded in Battle, Continues to Orchestrate the Seige of Pavia, from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...]
1659
![Francesco I d'Este Orders Fête Decorations, from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...]](/_next/image?url=https%3A%2F%2Fimages.metmuseum.org%2FCRDImages%2Fdp%2Fweb-large%2FDP830681.jpg&w=3840&q=75)
Francesco I d'Este Orders Fête Decorations, from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...]
1659

Christ on the cross, Saint John the Baptist at right, Mary Magdelene and the Virgin at left, after Reni
ca. 1640–88

Plate 3: Boy with a hat touching the face of a girl; from 'Icones ad vivum expressae' after Giovanni Battista Piazzetta
1743

Nessus attempting to take Dejanira from Hercules: Nessus restrains Dejanira on his back while striding to the right, Hercules draws his arrow at left, from the series 'The Labors of Hercules'
1608

Two children playing with a goat in center, turned towards the right, a child satyr sitting atop the goat, the other child gesturing towards the right, a satyr and a woman watching their child ride a goat in the background, an oval composition
ca. 1655–60

Plate 79: Ceres Ordering Erysichthon's Punishment (Ceres ad Famem Mypham in Erisichtonis paenam amandat), from Ovid's 'Metamorphoses'
1606
More by Giovanni Battista Piranesi
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Tomb of Julius Caesar
1765

View through the Herculaneum Gate, Pompeii
1778

Cornice and column from the Temple of Fortuna Virilis (Tempio della Fortuna Virile), from 'Le Antichità Romane'
1756

Section of column base from the Temple of Fortuna Virilis (Tempio della Fortuna Virile), from the series 'Le Antichità Romane'
1756

Profile of the Temple of Fortuna Virilis (Profilo del Tempio della Fortuna Virile), and section of the temple, from the series 'Le Antichità Romane'
1756

Plan and facade of the Temple of Fortuna Virilis (Tempio della Fortuna Virile), from the series 'Le Antichità Romane'
1756

Elevation and plan of the second-order portico at the Theater of Marcellus (Teatro di Marcello), Rome, from the series 'Le Antichità Romane'
1756

Partial elevation and plan of the first-order portico at the Theater of Marcellus (Dimostrazione di una parte de' portici del prim' ordine del Teatro di Marcello), from 'Le Antichità Romane'
1756

Plan of a tomb on the Appian Way in Vigna Buonamici (Pianta di un sepolcro sull'antica Via Appia nella Vigna Buonamici), from the series 'Le Antichità Romane'
1756

Demonstration panel showing technique for raising travertine and marble blocks for the construction of the tomb of Cecilia Metella, Rome, from the series 'Le Antichità Romane'
1756

Plan and elevation of the Pons Fabricius (also known as the Quattro Capi Bridge), Rome, from the series 'Le Antichità Romane'
1756

View of the stone pavement of the Appian Way (Veduta dell'antica Via Appia), from the series 'Le Antichità Romane'
1756