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Plate Nine from Nouveavx Desseins D'Arquebvseries

Plate Nine from Nouveavx Desseins D'Arquebvseries by Gilles Demarteau

Medium

Engraving

Dimensions

sheet: 11 3/4 x 9 1/8 in. (29.8 x 23.2 cm); plate: 7 1/4 x 5 1/4 in. (18.4 x 13.3 cm)

Classification

Works on Paper-Engravings

Culture

French, Paris

Department

Arms and Armor

Museum

Metropolitan Museum of Art, New York, NY

Credit

Purchase, Arthur Ochs Sulzberger Gift, 2016

Accession Number

2016.403.6

Rights

Public Domain

Tags

Ornament

Art Historical Context

Step into the ornate world of 18th-century French arms design with *Plate Nine from Nouveaux Dessins d'Arquebusiers* by Gilles Demarteau, an exquisite engraving dated 1743. Created in Paris during the lavish Rococo era, this work belongs to a series of innovative patterns for decorating arquebus stocks—early firearms carried by soldiers and hunters. Housed in the Metropolitan Museum of Art's Arms and Armor Department, it measures a compact 11 3/4 x 9 1/8 inches on the sheet, showcasing Demarteau's mastery as a pioneering engraver known for his precise reproductive techniques. Demarteau, a leading figure in Parisian printmaking, captured the era's fascination with elaborate ornamentation, blending floral motifs, scrolls, and grotesque elements typical of French decorative arts. These designs weren't just aesthetic; they elevated functional weapons into status symbols for the nobility, reflecting the cultural prestige of finely crafted arms amid Europe's military and hunting traditions. As a work on paper, this engraving highlights the technical brilliance of intaglio printing, where intricate lines were incised into a metal plate for rich, detailed impressions. Acquired through the Arthur Ochs Sulzberger Gift in 2016, it invites visitors to appreciate how art intertwined with weaponry, turning cold steel into scrolling elegance.

About the Artist

Gilles Demarteau · 1729–1776

Gilles Demarteau the Elder, born on January 19, 1722, in Liège, began his career steeped in the craft of metalwork. The son of a gunsmith, he learned engraving and goldsmithing from his father before moving to Paris around 1748–1750 to join his brother, who worked as a goldsmith for the engraver De Lacollombe, renowned for firearm ornament designs. Demarteau trained in De Lacollombe's workshop as ...

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