Plate Ten from Nouveavx Desseins D’Arquebvseries

Plate Ten from Nouveavx Desseins D’Arquebvseries by Gilles Demarteau

Medium

Engraving

Dimensions

sheet: 11 7/8 x 9 1/8 in. (30.16 x 23.17 cm); plate: 8 1/2 x 6 3/8 in. (21.59 x 16.19 cm)

Classification

Works on Paper-Engravings

Culture

French

Department

Arms and Armor

Museum

Metropolitan Museum of Art, New York, NY

Credit

Purchase, Michael H. Pourfar Gift, 2016

Accession Number

2016.312

Tags

Ornament

About this artwork

Plate Ten from Nouveavx Desseins D’Arquebvseries by Gilles Demarteau, dated 1744. Created in Engraving, this work exemplifies the artistic practices and cultural values of its period. The piece reflects the technical skills and aesthetic sensibilities characteristic of its historical and cultural context. As part of the Arms and Armor collection, it contributes to our understanding of artistic development and cultural expression. The work serves as both an aesthetic object and a historical docum...

Art Historical Context

Gilles Demarteau's *Plate Ten from Nouve Dessins d’Arquebusiers*, dated 174, is a exquisite French engraving that captures the ornate world of 18th-century design. As plate ten in a series of innovative patterns, it showcases intricate ornamental motifs likely intended for decorating arquebuses—early firearms whose stocks were often embellished with elaborate engravings to reflect the owner's status. Housed in the Metropolitan Museum of Art's Arms Armor Department, this work bridges artistry and functionality, highlighting how even weapons were elevated to aesthetic objects during France's Roc...

About the Artist

Gilles Demarteau · 17291776

Gilles Demarteau the Elder, born on January 19, 1722, in Liège, began his career steeped in the craft of metalwork. The son of a gunsmith, he learned engraving and goldsmithing from his father before moving to Paris around 1748–1750 to join his brother, who worked as a goldsmith for the engraver De Lacollombe, renowned for firearm ornament designs. Demarteau trained in De Lacollombe's workshop as ...

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