Related Artworks
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The Annunciation
ca. 1585
The Holy Family
ca. 1595–1600
The rest of the Holy Family on their flight to Egypt
1531–76
Christ on a balcony surrounded by guards, Pilate stands to the right gesturing toward him; from the series of 112 prints of the sacred history, after the painting by Mattia Preti
ca. 1730–39
Amorino with a laurel wreath
1774
Plate XLIX: Pastoral scene with peasants napping, one resting on a woman under a tree, a soldier approaches at right; from 'Studi di pittura gia dissegnati da Giambatista Piazzetta' after Giovanni Battista Piazzetta
ca. 1725–59
The Two Lovers
ca. 1524–30
Portrait of Maria Luisa d'Orleans (1662-1689), wife of Charles II of Spain
ca. 1689
God with musical angels and cherubim
1774
A caricature figure representing a street musician(?) with a mouse (lizard?) on his nose and a bird on his head
ca. 1640–60
Saint Jerome in the Wilderness
ca. 1591
Plate 19: figure seen from behind with left hand raised
1756
More by Giovanni Domenico Campiglia
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Plate LXVIII (68): Hercules, from "Museum Florentinum" (Statuae antiquae dorum et virorum illustrium)
1734
Plate XXXIII (33): Venus, from "Museum Florentinum" (Statuae antiquae dorum et virorum illustrium)
1734
Plate XVII (17): A Muse, from "Museum Florentinum" (Statuae antiquae dorum et virorum illustrium)
1734
Plate LXXI (71): Narcissus, from "Museum Florentinum" (Statuae antiquae dorum et virorum illustrium)
1734
Plate IIII (4): Leda and the Swan, from "Museum Florentinum" (Statuae antiquae dorum et virorum illustrium)
1734
Plate LI (51): Bacchus, from "Museum Florentinum" (Statuae antiquae dorum et virorum illustrium)
1734
Plate LXII (62): Flora, from "Museum Florentinum" (Statuae antiquae dorum et virorum illustrium)
1734
Plate XXXVII (37): Mars, from "Museum Florentinum" (Statuae antiquae dorum et virorum illustrium)
1734
Plate LXXV (75): Male Athlete, from "Museum Florentinum" (Statuae antiquae dorum et virorum illustrium)
1734
Plate XXXVIII (38): Mercury, from "Museum Florentinum" (Statuae antiquae dorum et virorum illustrium)
1734
Plate XIX (19): Diana, from "Museum Florentinum" (Statuae antiquae dorum et virorum illustrium)
1734
She gathers the fairest flower (Il più bel fior ne coglie), a group of six putti working together in an arched workshop
1740–59