Political Chemist and German Retorts or Dissolving the Rhenish Confederacy by Frederick William III, King of Prussia|Rudolph Ackermann, London|Francis II, Holy Roman Emperor|Frederick Augustus I, King of Saxony|Pope Pius VII|Frederick I, King of Württemberg|Thomas Rowlandson|Tsar Alexander I|Napoléon Bonaparte|Karl XIV Johan, King of Sweden and Norway

Medium

Hand-colored etching

Dimensions

Sheet: 9 3/4 × 13 3/4 in. (24.7 × 34.9 cm)

Classification

Prints

Department

Drawings and Prints

Museum

Metropolitan Museum of Art, New York, NY

Credit

The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959

Accession Number

59.533.1523

Tags

SatireNapoleon IMenPolitics

Art Historical Context

In the turbulent final years of the Napoleonic Wars, this hand-colored etching from December , 1813, captures the spirit of British satire through the masterful hand of Thomas Rowlandson, by Rudolph Ackermann in London. Titled *Political Chemist and Germanorts or Dissolving thehenish Confederacy*, it measures a modest 9¾ × 13¾ inches and skewers Napoleon Bonaparte as a mad alchemist amid a chaotic laboratory of European monarchs—including Prussia's Frederick William III,'s Francis II, Saxony's Frederick Augustus I, Württemberg's Frederick I, Sweden's Karl XIV Johan, Tsar Alexander I, and even ...

About the Artist

Frederick William III, King of Prussia|Rudolph Ackermann, London|Francis II, Holy Roman Emperor|Frederick Augustus I, King of Saxony|Pope Pius VII|Frederick I, King of Württemberg|Thomas Rowlandson|Tsar Alexander I|Napoléon Bonaparte|Karl XIV Johan, King of Sweden and Norway (Austrian|British|Russian|French| |British|Swedish|British) · 1768 |1757 |1777 |1769 |1797 |1750 |1792 |1764 1835 |1827 |1825 |1821 |1840 |1850 |1837 |1834

Austrian, Florence 1768–1835 Vienna|British, London 1757–1827 London|Russian, 1777–1825|French, Ajaccio 1769–1821 St. Helena| |British, active 1805–8|Swedish, Stockholm 1792–1837 St. Gallen|British, active 1794–1829

    Send Feedback

    We use this only to reply to your feedback.