Portico at the Porta Carmentalis, Tuscan capital and entablature, elevation; pier, section, detail (recto) S. Prassede, Quadriportico, Doric capital, elevation; Palazzo Massimo alle Colonne, column shaft, profile (verso)

Anonymous, French, 16th century

early to mid-16th century

Portico at the Porta Carmentalis, Tuscan capital and entablature, elevation; pier, section, detail (recto) S. Prassede, Quadriportico, Doric capital, elevation; Palazzo Massimo alle Colonne, column shaft, profile (verso) by Anonymous, French, 16th century

Medium

Dark brown ink, black chalk, and incised lines

Dimensions

sheet: 17 5/16 x 11 5/8 in. (44 x 29.5 cm)

Classification

Drawings|Ornament & Architecture

Department

Drawings and Prints

Museum

Metropolitan Museum of Art, New York, NY

Credit

Purchase, Rogers Fund, Joseph Pulitzer Bequest, and Mark J. Millard Gift, 1968

Accession Number

68.769.29

Tags

Architecture

Art Historical Context

This exquisite 16th-century architectural drawing, created by an anonymous French artist captures the enduring fascination with ancient Roman design during the Renaissance. On the recto, it details the Tuscan capital, entabl, pier section, and elevation from the Portico at the Carmentalis—a gateway in Rome linked to the goddess Carmentis. The features a Doric capital from the Quadportico at S. Prassede basilica and a column shaft profile from Palazzo Massimo Colonne, showcasing a blend of classical orders that influenced European architecture. Produced in the early to mid-1500s, this sheet re...

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