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Portrait of Samuel Myers by Thomas Eakins, American, b. Philadelphia, Pennsylvania, 1844–1916

Classification

Painting

Department

Smithsonian Collection

Museum

Smithsonian American Art Museum

Credit

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number

66.1493

Rights

Public Domain

About this artwork

Jh Purchased From Knoedler & Co., Inc., M., New York 1961

Art Historical Context

Thomas Eakins, one of America's foremost realist painters, created *Portrait of Samuel Myers* 1904, late in his prolific career. Born in Philadelphia in 1844, Eakins was renowned for hisinching commitment to anatomical accuracy and psychological depth in portraits, often drawing from background in medical illustration and photography. This painting exemplifies his signature style, capturing the sitter with a direct, lifelike intensity that bridged 19th-century academic traditions with modern realism. Painted during Eakins' final productive years—after controversies over nudity in his teaching at the Pennsylvania Academy of the Fine Arts—the work reflects the era's shift toward personal, introspective portraiture in American art. Though the medium is unspecified, Eakins favored oil on canvas for its rich textures, allowing subtle modeling of light and form to convey character. Acquired by Joseph H. Hirshhorn from New York dealer Knoedler & Co. in 1961 and gifted to the Smithsonian Institution in 1966, the portrait now resides in the Smithsonian American Art Museum's collection (on view through the Hirshhorn Museum and Sculpture Garden). It stands as a testament to Eakins' enduring influence on American realism, inviting visitors to ponder the humanity behind the gaze.

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