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Rev. William Buell Sprague by Asher Brown Durand|Samuel F. B. Morse|Rev. William Buell Sprague

Medium

Engraving; second state of three

Dimensions

plate: 9 5/8 x 6 5/8 in. (24.4 x 16.9 cm)

Classification

Prints

Department

Drawings and Prints

Museum

Metropolitan Museum of Art, New York, NY

Credit

Gift of Mrs. Frederic F. Durand, 1930

Accession Number

30.15.43

Rights

Public Domain

Tags

MenPortraits

Art Historical Context

This elegant engraving, titled *Rev. William Buell*, captures the dignified likeness of a prominent 19th-century American Presbyterian minister. Created in 1834 by B. Durand and Samuel F B. Morse—two luminaries of the American art scene—it represents the second state of three in the edition. Measuring 9⅝ × 6⅝ inches, the plate exemplifies the precision of 19th-century printmaking, allowing for multiple impressions to widely distribute images of notable figures like Rev. Sprague, a respected cleric known for his influential sermons and writings. Engraving, the medium here, involved incising fine lines into a metal plate with a burin, a technique Durand mastered early in his career before pioneering the Hudson River School landscape style. Morse, famed for portraits and later as the telegraph's inventor, likely contributed the original design, reflecting their collaborative spirit in early American art. This portrait belongs to a tradition of disseminating reverend portraits, making ecclesiastical leaders accessible to congregations and the public amid rising literacy and print culture in antebellum America. Housed in the Metropolitan Museum of Art's Drawings and Prints department (gift of Mrs. Frederic F. Durand, 1930), it highlights how prints democratized portraiture, bridging fine art and everyday devotion. Visitors will appreciate its crisp lines and introspective gaze, evoking the moral authority of its subject.

About the Artist

Asher Brown Durand|Samuel F. B. Morse|Rev. William Buell Sprague · 1796–1886

Was a principal member of the Hudson River School. American artist; associated with the Hudson River School of landscape painting. Comment on works: Portraits

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