Artheon MuseumArtheonMuseum

Roses and Lilies

Roses and Lilies by Henri Fantin-Latour

Medium

Oil on canvas

Dimensions

23 1/2 x 18 in. (59.7 x 45.7 cm)

Classification

Paintings

Department

European Paintings

Museum

Metropolitan Museum of Art, New York, NY

Credit

The Walter H. and Leonore Annenberg Collection, Gift of Walter H. and Leonore Annenberg, 2001, Bequest of Walter H. Annenberg, 2002

Accession Number

2001.202.4

Rights

Public Domain

Tags

LiliesStill LifeRoses

Art Historical Context

Henri Fantin-Latour's *Roses and Lilies* (1888) is a exquisite example of 19th-century French still life painting, capturing the delicate beauty of fresh flowers in a modest bouquet. Rendered in oil on canvas, this intimate work measures 23½ x 18 inches, inviting viewers to lean in and savor its luminous petals and subtle textures. Fantin-Latour, a master of Realism, was renowned for his meticulous floral studies, which blend precise observation with a poetic elegance, evoking the fleeting splendor of nature. The painting showcases the artist's virtuoso technique: velvety roses in soft pinks and creamy whites mingle with elegant lilies, their forms emerging from deep shadows with masterful chiaroscuro. Oil on canvas allowed Fantin-Latour to achieve rich, jewel-like colors and a sense of depth, making the blooms appear almost tangible. In the late 19th century, such still lifes held cultural resonance, symbolizing both luxury and the transience of life amid France's flourishing floral trade and Impressionist influences. Housed in the Metropolitan Museum of Art's European Paintings department as part of the Annenberg Collection, this gem highlights Fantin-Latour's enduring legacy. Visitors often pause here, reminded of nature's quiet poetry amid the museum's grand halls.

About the Artist

Henri Fantin-Latour · 1836–1904

Ignace Henri Jean Théodore Fantin-Latour was born on January 14, 1836, in Grenoble, France, to portrait painter Théodore Fantin-Latour, who gave him his earliest drawing lessons. The family relocated to Paris in 1841, where in 1850, at age 14, he enrolled in the École de Dessin, studying under Horace Lecoq de Boisbaudran, whose innovative memory-based method of drawing from observation profoundly ...

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