Saint Mark writing his Gospel, a winged lion at the right

Art Historical Context

Behold *Saint Mark Writing His Gospel*, a captivating 16th-century engraving (sheet: 6 13/16 x 11 in.) from the Metropolitan Museum of's Elisha Whittelsey Collection. The scene depicts the Evangelist Saint Mark, saint of Venice, intently composing his Gospel at a lectern, with his traditional symbol—a majestic winged lion—perched vigilantly to the right. This iconic imagery draws from early Christian tradition, where the lion represents Mark's resonant voice proclaiming Christ's resurrection, evoking strength and divine inspiration. Created between 1531 and 1576, the print is attributed to engraver Giulio Bonasone, likely reproducing a design by Mannerist master Perino del Vaga (also known as Pietro Buonaccorsi). Engraving, a meticulous intaglio technique, allowed for precise lines and tonal depth, making high-quality reproductions accessible beyond original paintings. Bonasone's skill shines in the intricate details of Mark's flowing robes, the lion's textured fur, and subtle shading that conveys quiet focus and spiritual depth. Housed in the Met's Drawings and Prints department, this work exemplifies Renaissance printmaking's role in disseminating religious iconography during the Counter-Reformation era. It invited devotees to contemplate scripture's origins, blending artistic virtuosity with devotional purpose—a timeless bridge between faith and fine art.

About the Artist

Giulio Bonasone|Perino del Vaga (Pietro Buonaccorsi) · 1500–1600

Comment on works: History; Mythology