Artheon MuseumArtheonMuseum

Self-Portrait (from "Image de divers hommes: The true effigies of the most eminent Painters," 1649)

Self-Portrait (from "Image de divers hommes: The true effigies of the most eminent Painters," 1649) by Johannes Meyssens|Wenceslaus Hollar|Wenceslaus Hollar

Medium

Etching; third state of five

Dimensions

Sheet: 6 1/4 × 4 5/16 in. (15.8 × 11 cm)

Classification

Prints

Department

Drawings and Prints

Museum

Metropolitan Museum of Art, New York, NY

Credit

Bequest of Phyllis Massar, 2011

Accession Number

2012.136.624

Tags

MenSelf-portraitsWomen

Art Historical Context

This self-portrait by Wenceslaus Hollar appears in the 1649 publication *Image de divers hommes: The true effigies of the most eminent Painters*, a of engraved likenesses of leading artists. Hollar, a skilled Bohemian etcher who worked extensively in Antwerp and London, created this print as both a personal introduction and a tribute to profession. The image captures the artist at work, reflecting the 17th-century interest in documenting creative figures for an educated audience across Europe. Executed in etching—a medium prized for its ability to render fine lines and textures—this print exi...

About the Artist

Johannes Meyssens|Wenceslaus Hollar|Wenceslaus Hollar · 16121670

Joannes Meyssens (1612–1670), also known as Johannes, Jan, or Jean Meyssens, was a Flemish Baroque painter, engraver, and print publisher whose career exemplifies the multifaceted nature of seventeenth-century artistic enterprise. Born in Brussels on May 17, 1612, and active primarily in Antwerp where he died on September 18, 1670, Meyssens made his most significant contribution not through his pa...

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