Artheon MuseumArtheonMuseum

Sheet with putti and several figures

Sheet with putti and several figures by Félicien Rops

Medium

Pen and ink and graphite

Dimensions

7-1/4 x 8-1/2 in. (18.4 x 21.6 cm)

Classification

Drawings

Department

Drawings and Prints

Museum

Metropolitan Museum of Art, New York, NY

Credit

Gift of Mrs. Albert Broccoli, 1980

Accession Number

1980.1138.7

Rights

Public Domain

Tags

MenWomenPutti

Art Historical Context

Discover the whimsical yet provocative world of Félicien R in this enchanting *Sheet with putti and several figures The Belgian artist (1833–1898), a key figure in Symbolism and fin-de-siècle art, delighted in blending innocence with sensuality. Here, chubby putti—those playful infant cherubs borrowed from Renaissance and Baroque traditions—frolic alongside men and women, captured in a lively compositional sketch. Though the exact date is unknown, it reflects Rops' mastery of the macabre and erotic, often seen in his illustrations for Charles Baudelaire's *Les Fleurs du Mal*. Executed in pen and ink with graphite on a modest 7-1/4 x 8-1/2 inch sheet, this drawing showcases Rops' fluid, expressive linework. The mixed media allowed for delicate shading and dynamic energy, typical of his preparatory studies and standalone fantasies. As a virtuoso draftsman, Rops infused classical motifs like putti with modern decadence, challenging Victorian morals and exploring human desire. Now in the Metropolitan Museum of Art's Drawings and Prints department, this gem was generously gifted by Mrs. Albert Broccoli in 1980. A fun footnote: her husband produced the James Bond films, adding a touch of intrigue to this artistic treasure. Perfect for pondering the playful undercurrents of 19th-century imagination!

About the Artist

Félicien Rops · 1833–1898

Félicien Rops, born Félicien Victor Joseph Rops on July 7, 1833, in Namur, Belgium, to a prosperous textile manufacturing family, displayed prodigious artistic talent from youth. The only child of Nicholas Rops and Sophie Maubile, he received private tutoring until age ten, followed by education at a Jesuit school in Namur (1843–1848), the Athénée Royal de Namur, and the Academy of Fine Arts there...

    Send Feedback

    We use this only to reply to your feedback.