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Small Cabinet and Sword Stand

Ryūryūkyo Shinsai

probably 1816

Small Cabinet and Sword Stand by Ryūryūkyo Shinsai

Medium

Part of an album of woodblock prints (surimono); ink and color on paper

Dimensions

5 5/8 x 7 9/16 in. (14.3 x 19.2 cm)

Classification

Prints

Culture & Period

Japan · Edo period (1615–1868)

Department

Asian Art

Museum

Metropolitan Museum of Art, New York, NY

Credit

H. O. Havemeyer Collection, Bequest of Mrs. H. O. Havemeyer, 1929

Accession Number

JP2256

Rights

Public Domain

Tags

SwordsCabinets

Art Historical Context

Nestled within an exquisite album of surimono—deluxe, privately commissioned woodblock prints—*Small Cabinet and Sword Stand* by Ryūryūkyo Shinsai captures the refined elegance of Edo-period Japan around 1816. Shinsai, a master ukiyo-e, rendered this intimate still life in ink and vibrant color on paper, measuring just 5⅝ × 7⁹⁄₁₆ inches. Produced during the prosperous Edo period (1615–1868), surimono like this were often created for poetry gatherings or New Year's celebrations, showcasing meticulous craftsmanship and subtle luxury. The artwork depicts a petite cabinet alongside a sword stand, evoking the samurai aesthetic and domestic refinement of the time. Swords symbolized status and martial heritage in feudal Japan, while ornate cabinets highlighted artisanal woodwork and the era's fascination with everyday beauty. Shinsai's precise lines and layered colors bring these objects to life, demonstrating the woodblock technique's ability to mimic textures—from lacquered surfaces to metallic sheens—making the mundane extraordinary. Housed in the Metropolitan Museum of Art's Asian Art Department as part of the H. O. Havemeyer Collection, this print invites visitors to appreciate Japan's "floating world" artistry, where ordinary items become portals to cultural history. A testament to Shinsai's skill, it reminds us of the Edo era's harmonious blend of tradition and aesthetic delight.

About the Artist

Ryūryūkyo Shinsai · 1799–1823

Ryūryūkyo Shinsai (柳々居辰斎), active from 1799 to 1823, was a prominent Japanese ukiyo-e printmaker based in Edo (modern Tokyo), renowned for his mastery of surimono—luxurious, privately commissioned woodblock prints produced for elite poetry circles and New Year's celebrations. He began his training under Tawaraya Sōri before becoming a student of the legendary Katsushika Hokusai, from whom he recei...

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