Speculum Romanae Magnificentiae: Hercules (Hercules in aedibus Card. Burghesij)

Speculum Romanae Magnificentiae: Hercules (Hercules in aedibus Card. Burghesij) by Anonymous|Philippe Thomassin|Antonio Lafreri

Medium

Engraving

Dimensions

sheet: 16 5/8 x 13 1/8 in. (42.3 x 33.3 cm) plate: 4 15/16 x 3 1/8 in. (12.5 x 8 cm)

Classification

Prints

Department

Drawings and Prints

Museum

Metropolitan Museum of Art, New York, NY

Credit

Harris Brisbane Dick Fund, 1941

Accession Number

41.72(2.162)

Tags

Hercules

About this artwork

Speculum Romanae Magnificentiae: Hercules (Hercules in aedibus Card. Burghesij) by Anonymous|Philippe Thomassin|Antonio Lafreri, 16th century. Created in Engraving, this work exemplifies the artistic practices and cultural values of its period. The piece reflects the technical skills and aesthetic sensibilities characteristic of its historical and cultural context. As part of the Drawings and Prints collection, it contributes to our understanding of artistic development and cultural expression. ...

Art Historical Context

Step into the Renaissance fascination with ancient Rome through *Speculum Romanae Magniae: Hercules (Hules in aedibus. Burghesij)*, a 16th-century from the esteemed collection of publisher Antonio Lafreri, possible contributions from Philippe Thomassin and an anonymous artist. Part of Lafreri's renowned *Speculum Romanae Magnificentiae—a compendium of over 600 prints depicting Rome's monuments, antiquities, and sculptures—this-scale work (plate: 4 15/16 x 3 1/8 in.) captures a statue of the mighty Hercules housed in the residence of Cardinal Scipione Borghese, a prominent patron of the arts. ...

About the Artist

Anonymous|Philippe Thomassin|Antonio Lafreri

In the vast tapestry of art history, "Anonymous" stands not as a singular individual but as a collective designation for countless unidentified creators whose works have endured across millennia. These artists, spanning prehistoric cave painters to medieval illuminators and folk craftsmen, produced the foundational layers of human visual culture. Prior to the Renaissance, when individual fame emer...

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