Speculum Romanae Magnificentiae: Mars (Mars in Capitolio)

Speculum Romanae Magnificentiae: Mars (Mars in Capitolio) by Anonymous|Philippe Thomassin|Antonio Lafreri

Medium

Engraving

Dimensions

sheet: 16 5/8 x 13 1/8 in. (42.3 x 33.3 cm) plate: 4 15/16 x 3 1/8 in. (12.5 x 8 cm)

Classification

Prints

Department

Drawings and Prints

Museum

Metropolitan Museum of Art, New York, NY

Credit

Harris Brisbane Dick Fund, 1941

Accession Number

41.72(2.161)

Tags

Mars

About this artwork

Speculum Romanae Magnificentiae: Mars (Mars in Capitolio) is a prints by |French|French artist Anonymous|Philippe Thomassin|Antonio Lafreri, created in 16th century. The work was created using engraving. It measures sheet: 16 5/8 x 13 1/8 in. (42.3 x 33.3 cm) plate: 4 15/16 x 3 1/8 in. (12.5 x 8 cm). Printmaking during this period was an essential medium for disseminating artistic imagery and ideas across broad audiences. The technique involved careful preparation of printing surfaces and meti...

Art Historical Context

Step into the Renaissance fascination with ancient Rome through *Speculum Romanae Magnificentiae: Mars (Mars in Capitolio)*, a 16th-century engraving attributed to anonymous artists, Philippe Thomassin, or publisher Antonio Lafreri. print captures the mighty Roman god of war, Mars, likely evoking a statue or monument on Rome's Capitoline Hill—a site steeped in imperial glory and classical mythology. Part of Lafreri's renowned *Speculum* series, it exemplifies how prints preserved and popularized Rome's antiquities for scholars, travelers, and collectors across Europe. Engraving, the medium he...

About the Artist

Anonymous|Philippe Thomassin|Antonio Lafreri

In the vast tapestry of art history, "Anonymous" stands not as a singular individual but as a collective designation for countless unidentified creators whose works have endured across millennia. These artists, spanning prehistoric cave painters to medieval illuminators and folk craftsmen, produced the foundational layers of human visual culture. Prior to the Renaissance, when individual fame emer...

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