Speculum Romanae Magnificentiae: Satyr (Satyrus in caedibus)

Speculum Romanae Magnificentiae: Satyr (Satyrus in caedibus) by Anonymous|Antonio Lafreri|Philippe Thomassin

Medium

Engraving

Dimensions

sheet: 16 5/8 x 13 1/8 in. (42.3 x 33.3 cm) plate: 4 15/16 x 3 1/8 in. (12.5 x 8 cm)

Classification

Prints

Department

Drawings and Prints

Museum

Metropolitan Museum of Art, New York, NY

Credit

Harris Brisbane Dick Fund, 1941

Accession Number

41.72(2.157)

Tags

FruitSatyrs

About this artwork

"Speculum Romanae Magnificentiae: Satyr (Satyrus in caedibus)" by Anonymous|Antonio Lafreri|Philippe Thomassin, created in 16th century, is executed in engraving. This prints belongs to the Metropolitan Museum's Drawings and Prints collection. The work measures sheet: 16 5/8 x 13 1/8 in. (42.3 x 33.3 cm) plate: 4 15/16 x 3 1/8 in. (12.5 x 8 cm). The artwork entered the museum's collection through harris brisbane dick fund, 1941.

Art Historical Context

Step into the enchanting world of Renaissance Rome with *Speculum Romanae Magniae: Satyr (Satyrus in caedibus, a 16th-century engraving from the Metropolitan Museum of Art's Drawings and Prints collection. This print captures a mischievous satyr—a mythical half-man, half-goat from classical antiquity—amidst elements like fruit, evoking the playful, Dionysian spirit of ancient Greek and Roman lore. Published by Antonio Lafreri a pioneering Roman printmaker, and possibly involving Philippe Thomassin, it belongs to his famed *Speculum* series ("Mirror of Roman Magnificence"), a groundbreaking ant...

About the Artist

Anonymous|Antonio Lafreri|Philippe Thomassin

In the vast tapestry of art history, "Anonymous" stands not as a singular individual but as a collective designation for countless unidentified creators whose works have endured across millennia. These artists, spanning prehistoric cave painters to medieval illuminators and folk craftsmen, produced the foundational layers of human visual culture. Prior to the Renaissance, when individual fame emer...

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