Artheon MuseumArtheonMuseum

明 董其昌 春山暖翠圖 軸|Spring Mountains over Warm Greenery

Dong Qichang

dated 1630

明 董其昌 春山暖翠圖 軸|Spring Mountains over Warm Greenery by Dong Qichang

Medium

Hanging scroll; ink and color on silk

Dimensions

Image: 91 × 37 in. (231.1 × 94 cm) Overall with mounting: 10 ft. 10 7/8 in. × 46 1/8 in. (332.4 × 117.2 cm) Overall with knobs: 10 ft. 10 7/8 in. × 50 1/2 in. (332.4 × 128.3 cm)

Classification

Paintings

Culture & Period

China · Ming dynasty (1368–1644)

Department

Asian Art

Museum

Metropolitan Museum of Art, New York, NY

Credit

Bequest of John M. Crawford Jr., 1988

Accession Number

1989.363.102

Rights

Public Domain

Tags

LandscapesMountains

Art Historical Context

Dong Qichang's *Spring Mountains over Warm Gre*, created in 1630 during the late Ming dynasty (1368–1644), is a masterful hanging scroll painted in ink and color on silk. Measuring nearly 8 feet tall when unrolled, this monumental work captures the lush vitality of spring landscapes, with mist-shrouded peaks and verdant slopes evoking the harmonious beauty of nature. As a high-ranking scholar-official, calligrapher, and, Dong Qichang a pivotal figure in Chinese art, renowned for theorizing the distinction between the "Northern School" of professional painters and the more expressive "Southern School" of literati artists, which he championed. In this piece, Dong employs the refined literati style—characterized by bold brushwork, subtle color washes, and atmospheric depth—to convey a poetic sense of infinity and introspection. The hanging scroll format, traditional in China, invites viewers to unroll it slowly, savoring layered compositions that blend observation with imagination, much like a meditative journey through misty mountains. His technique draws from Song dynasty masters while innovating with personal flair, emphasizing "qi" (vital energy) over mere realism. Housed in the Metropolitan Museum of Art's Asian Art department through the bequest of John M. Crawford Jr., this painting exemplifies Ming-era landscape traditions, where mountains symbolized moral elevation and seasonal renewal reflected Confucian ideals of harmony. A timeless invitation to contemplate nature's quiet grandeur. (198 words)

About the Artist

Dong Qichang · 1555–1636

Dong Qichang (1555–1636), born in Huating in present-day Shanghai's Songjiang region, emerged from a scholarly yet impoverished family as the son of a local school teacher. A precocious child, he passed the prefectural civil service examination at age twelve, securing entry to a government school, and later sat for the imperial exams, placing second at seventeen to his cousin due to inferior calli...

    Send Feedback

    We use this only to reply to your feedback.