Standing Nude

Art Historical Context

Max Klinger’s *Standing Nude* (1914) captures the human form with quiet intensity through black chalk and gouache on brown paper. Working late in career, the German artist the rich texture of the toned sheet to create subtle contrasts of light and shadow, allowing the figure to emerge with both sculptural solidity and delicate modeling. The addition of gouache introduces selective opacity and muted color, heightening the sense of volume while preserving the immediacy of a drawing. At approximately 64.5 by 34.2 centimeters, the work’s vertical format emphasizes the elongated pose, inviting viewers to consider the balance between anatomical precision and expressive line. Created on the eve of World War I, this study reflects Klinger’s lifelong fascination with the body as a vehicle for both classical ideals and modern psychological depth. Now part of the National Gallery of Art’s collection through the generosity of Lionel C. Epstein, the drawing offers visitors an intimate glimpse into an artist’s exploration of form, material, and the enduring power of the nude.

About the Artist

Max Klinger · 1857–1920

Max Klinger, born on February 18, 1857, in Leipzig to a wealthy family, emerged as one of Germany's most innovative artists across painting, sculpture, printmaking, and graphics. Demonstrating early talent, he enrolled at the Academy of Fine Arts in Karlsruhe in 1874 as a pupil of Karl Gussow, following his teacher to the Berlin Academy upon Gussow's appointment as director, and graduated in 1877 ...