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Strength by Heinrich Aldegrever

Medium

Engraving

Dimensions

Sheet (trimmed): 2 15/16 × 2 3/16 in. (7.5 × 5.5 cm)

Classification

Prints

Department

Drawings and Prints

Museum

Metropolitan Museum of Art, New York, NY

Credit

Harris Brisbane Dick Fund, 1917

Accession Number

17.3.1380

Rights

Public Domain

Tags

ProfilesWomenFemale Nudes

Art Historical Context

Heinrich Aldegrever's *Strength* (1528) is a exquisite example of Northern Renaissance engraving, crafted by one of the renowned "Little Masters." This German artist and goldsmith, active in Soest, Westphalia, specialized in intricate small-scale prints that rivaled the finesse of larger works by masters like Albrecht Dürer. Measuring just under 3 by 2 inches, this trimmed sheet exemplifies the precision of copperplate engraving, where fine lines and cross-hatching create depth, texture, and luminous highlights on a nude female figure in profile—likely personifying the virtue of Fortitudo. The artwork's subject draws from classical and Christian iconography, portraying Strength as a poised, muscular woman, evoking both physical power and moral fortitude. Such allegorical nudes were popular in 16th-century prints, blending humanist ideals with Renaissance revival of antiquity. Aldegrever's technique shines in the delicate rendering of anatomy, hair, and drapery, making this intimate piece ideal for collectors' albums or scholarly study. Acquired through the Harris Brisbane Dick Fund for the Metropolitan Museum of Art's Drawings and Prints department, *Strength* highlights the era's booming print market, which democratized art ownership across Europe. Visitors will appreciate its timeless celebration of resilience in a format that rewards close inspection.

About the Artist

Heinrich Aldegrever · 1502–1561

Heinrich Aldegrever, born in 1502 in Paderborn, Westphalia, to parents Herman and Katherine Trippenmeker—a family of clog-makers known by the dialect name Trippenmecker—emerged as a multifaceted artist in the German Renaissance. His early training remains undocumented, though he likely apprenticed in a Soest goldsmith's workshop after relocating there around 1525, where he joined the painters' gui...

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