Study for Vignette-Frontispiece of Colle's "La Partie de Chasse de Henri IV", Act III
c. 1766
Medium
Pen and black ink, with graphite, on gray laid paper, incised for transfer and perimeter mounted on cream laid paper
Dimensions
13.6 × 7.7 cm (5 3/8 × 3 1/16 in.)
Classification
pen and ink drawings
Department
Prints and Drawings
Museum
Art Institute of Chicago
Accession Number
113555
Rights
Public Domain
Art Historical Context
Hubert François Gravelot's *Study for Vignette-ispiece of Colle's "La Partie Chasse de Henri IV Act III* (c. 1766 is a exquisite preparatory drawing that captures the elegance of 18th-century French. Created as a design for a small decorative vignette at the front of a theatrical publication—likely depicting a scene from Charles Collé comedy celebrating King Henry IV's famous hunting parties—this work reflects the lively cultural scene of the Enlightenment, where theater and visual arts intertwined to entertain and educate audiences. Executed in pen and black ink with graphite on gray laid paper, the diminutive sheet (13.6 × 7.7 cm) showcases Gravelot's mastery of fine-line technique. Notably incised for transfer—scored with subtle grooves to facilitate tracing onto an engraving plate—and perimeter-mounted on cream laid paper, it reveals the meticulous process behind book illustrations. Gravelot, a leading rococo draftsman known for his delicate, playful compositions, used these methods to ensure precision in printed reproductions. Housed in the Art Institute of Chicago's Prints and Drawings department, this pen-and-ink study offers a window into the collaborative world of 1760s publishing, where such vignettes adorned plays and evoked historical whimsy for readers. A charming testament to rococo refinement!
About the Artist
Hubert François Gravelot · 1699–1773
Hubert-François Bourguignon, known as Gravelot (1699–1773), was a leading French Rococo engraver, illustrator, and designer whose elegant draftsmanship bridged the artistic worlds of France and England. Born in Paris to a tailor, he adopted his pseudonym from a godfather and grew up alongside his elder brother, the geographer Jean-Baptiste Bourguignon d'Anville. After neglecting studies at the Col...