Artheon MuseumArtheonMuseum

Study of two figures, one lunging at the other

Study of two figures, one lunging at the other by Félicien Rops

Medium

graphite

Dimensions

7 x 4-1/2 in. (17.8 x 11.4 cm)

Classification

Drawings

Department

Drawings and Prints

Museum

Metropolitan Museum of Art, New York, NY

Credit

Gift of Dana Broccoli, 1978

Accession Number

1978.655.2

Rights

Public Domain

Tags

Human Figures

Art Historical Context

Félicien Rops, a Belgian artist renowned for his provocative illustrations blending eroticism, satire, and the macabre, created this *Study of two figures, one lunging at the other* around 1870. Active in Paris during the late 19 century, Rops was a key figure in the Decadent and Symbolist, often collaborating with writers like Charles Baudelaire. His drawings frequently captured intense human interactions, exploring themes of passion, violence, and the grotesque through fluid, expressive lines—a hallmark of his graphite technique on small-scale sheets like this 7 x 4½-inch study. Rendered in graphite, this intimate drawing showcases Rops' mastery of rapid, gestural sketching to convey dynamic motion. The lunging figure suggests a moment of confrontation or embrace, typical of his interest in primal human impulses. As a preparatory study, it highlights the artist's process: loose yet precise contours that could inform larger prints or paintings, emphasizing shadow and form for dramatic tension. Housed in the Metropolitan Museum of Art's Drawings and Prints department (gift of Dana Broccoli, 1978), this work exemplifies Rops' enduring influence on modern graphic art, inviting viewers to ponder the raw energy of human figures in a Victorian-era context where such bold depictions often provoked scandal.

About the Artist

Félicien Rops · 1833–1898

Félicien Rops, born Félicien Victor Joseph Rops on July 7, 1833, in Namur, Belgium, to a prosperous textile manufacturing family, displayed prodigious artistic talent from youth. The only child of Nicholas Rops and Sophie Maubile, he received private tutoring until age ten, followed by education at a Jesuit school in Namur (1843–1848), the Athénée Royal de Namur, and the Academy of Fine Arts there...

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