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Summer Evening

Summer Evening by David Lucas|John Constable

Medium

Mezzotint; proof before published state

Dimensions

Image: 5 9/16 × 8 9/16 in. (14.1 × 21.7 cm) Plate: 6 15/16 × 9 15/16 in. (17.6 × 25.2 cm) Sheet: 10 5/8 × 14 1/4 in. (27 × 36.2 cm)

Classification

Prints

Department

Drawings and Prints

Museum

Metropolitan Museum of Art, New York, NY

Credit

Harris Brisbane Dick Fund, 1943

Accession Number

43.45.2

Rights

Public Domain

Tags

CowsLandscapesSummerEvening

Art Historical Context

**Summer Evening**, a captivating mezzotint proof from 1829, the masterful collaboration between English Romantic painter John Constable and engraver David Lucas. Created as part of Constable's ambitious *English Landscape Scenery* series, this print reproduces one of Constable's luminous oil sketches, capturing a serene summer evening in the idyllic English countryside. Gentle cows dot the landscape under a vast, glowing sky, evoking the artist's deep reverence for nature's fleeting beauty and atmospheric effects—hallmarks of his revolutionary approach to landscape painting. The mezzotint technique, pioneered for its rich, velvety blacks and subtle tonal gradations, was ideal for rendering the soft twilight hues and misty ambiance of an evening scene. As a "proof before published state," this rare impression reveals the print in its experimental phase, before final lettering or refinements, offering visitors a glimpse into the meticulous creative process. Lucas's skilled translation of Constable's loose brushwork into intricate engraving preserved the emotional immediacy of the original. Housed in The Metropolitan Museum of Art's Drawings and Prints department, this work highlights the 19th-century shift toward accessible art reproduction, bridging fine painting with print culture. It invites contemplation of rural tranquility amid industrialization, a poignant theme in Constable's oeuvre.

About the Artist

David Lucas|John Constable · 1802–1881

**David Lucas (1802–1881)** David Lucas was born in 1802 in Geddington Chase, Northamptonshire, the son of a farmer.) A chance encounter in 1820 led him to become a pupil of the renowned engraver Samuel William Reynolds, under whom he apprenticed in London until 1827, mastering the art of mezzotint engraving.) By 1827, Lucas had published his first mezzotints, showcasing his precocious talent for...

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