Artheon MuseumArtheonMuseum

Terracotta calyx-krater (mixing bowl)

Amykos Painter

ca. 430–400 BCE

Terracotta calyx-krater (mixing bowl) by Amykos Painter

Medium

Terracotta

Dimensions

H. 15 1/16 in. (38.3 cm); diameter of mouth 14 9/16 in. (37 cm)

Classification

Vases

Culture & Period

Greek, South Italian, Lucanian · Classical

Department

Greek and Roman Art

Museum

Metropolitan Museum of Art, New York, NY

Credit

Rogers Fund, 1921

Accession Number

21.88.75

Rights

Public Domain

Tags

SoldiersHelmetsShieldsMale Nudes

About this artwork

This terracotta calyx-krater exemplifies the sophisticated artistry of South Italian Greek pottery during the Classical period. Attributed to the Amykos Painter, who worked in Lucania around 430-400 BCE, the vessel illustrates the complex interrelation between Greek art and indigenous populations in Southern Italy. The obverse depicts four warriors engaged in combat, while the reverse shows four youths in a more peaceful arrangement. The warriors are portrayed with native Italic helmets rather t...

Art Historical Context

Step into the vibrant world of ancient South Italy with this stunning terracotta calyx-kr, crafted by the Amykos around 430–400 BCE. Hailing from Lucania in Magna Graecia—the Greek colonies of southern Italy—this mixing bowl stands 15 inches tall with a wide 14½-inch mouth, perfect for wine and water at lively symposia. Attributed to the Amykos Painter, a master of the Classical period, it showcases red-figure pottery, a technique pioneered in Athens circa 530 BCE that reserved clay's natural red color for figures, allowing intricate black-line details for more naturalistic poses. On one side, four fierce warriors clash in battle, their native Italic helmets blending Greek and local Italic styles—a testament to cultural fusion in this colonial hub. The other side offers a serene contrast with four youths, emphasizing fluid individual movement over the stiff compositions of Athenian vases. This shift highlights the Amykos Painter's innovative style, adapting Attic traditions to regional tastes. Acquired by the Metropolitan Museum of Art in 1921, this vessel not only served practical purposes but also narrated stories of conflict and camaraderie, bridging Greek artistry with indigenous influences in a dynamic era of exchange.

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